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Haunted Images

Film, Ethics, Testimony, and the Holocaust

by

Type
Studies
Subject
Genre
Keywords
documentary, holocaust
Publishing date
Publisher
Wallflower Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover256 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN
978-1-905674-36-7
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Book Presentation:
Haunted Images takes a close look at a range of treatments of the Holocaust in film, using sustained textual analysis to radically rethink film as a witness to history. Questioning the legitimacy of persistent claims that the Holocaust remains 'unrepresentable', this volume seeks to redefine the singular challenges this event presents to filmmakers, suggesting that filmic representations address the Holocaust as much through what they leave unseen – through silences and ellipses – as through what they visualise directly. Discussing films such as Kapo (1960), Shoah (1985) and Histoire(s) du cinéma (1997), this important new study provides a compelling reading of how European cinema has responded to the particular problems that the Holocaust presents to filmmakers, and suggests compelling fresh insights into the relationship between visual art, cultural trauma and the power of the image.

About the Author:
Libby Saxton is Lecturer in French and Film Studies at Queen Mary, University of London. She is the co-editor of Seeing Things: Vision, Perception and Interpretation in French Studies (2002).

Press Reviews:
Highly recommended. Choice

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Icons Between Photography and Film

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Film and Ethics:Foreclosed Encounters

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