Trauma Cinema

Documenting Incest and the Holocaust

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by Janet Walker

Type

Studies

Subject

Genre > Documentary

Keywords

documentary, sociology, holocaust

Publishing date

2005

Publisher

University of California Press

Language

English

Relative size

Physical desc.

Paperback • 273 pages
6 x 9 inches (15 x 23 cm)

ISBN-10
ISBN-13

0-520-24175-4
978-0-520-24175-6

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Book Presentation:
Trauma Cinema focuses on a new breed of documentary films and videos that adopt catastrophe as their subject matter and trauma as their aesthetic. Incorporating oral testimony, home-movie footage, and documentary reenactment, these documentaries express the havoc trauma wreaks on history and memory. Janet Walker uses incest and the Holocaust as a double thematic focus and fiction films as a point of comparison. Her astute and original examination considers the Hollywood classic Kings Row and the television movie Sybil in relation to vanguard nonfiction works, including Errol Morris's Mr. Death, Lynn Hershman's video diaries, and the chilling genealogy of incest, Just, Melvin.

Both incest and the Holocaust have also been featured in contemporary psychological literature on trauma and memory. The author employs theories of post traumatic stress disorder and histories of the so-called memory wars to illuminate the amnesias, fantasies, and mistakes in memory that must be taken into account, along with corroborated evidence, if we are to understand how personal and public historical meaning is made.

Janet Walker’s engrossing narrative demonstrates that the past does not come down to us purely and simply through eyewitness accounts and tangible artifacts. Her incisive analysis exposes the frailty of memory in the face of disquieting events while her joint consideration of trauma cinema and psychological theorizing radically reconstructs the roadblocks at the intersection of catastrophe, memory, and historical representation.

Trauma Cinema focuses on a new breed of documentary films and videos that adopt catastrophe as their subject matter and trauma as their aesthetic. Incorporating oral testimony, home-movie footage, and documentary reenactment, these documentaries ex

About the Author:
Janet Walker is Professor of Film Studies at the University of California, Santa Barbara, where she is also affiliated with the Women's Studies Program. Her other books as author or editor are Couching Resistance: Women, Film, and Psychoanalytic Psychiatry (1993), Feminism and Documentary (with Diane Waldman, 1999), and Westerns: Films through History (2001).

Press Reviews:
"A well-researched, elegantly written and original book. Walker offers extremely nuanced and insightful readings that call on her expertise as film historian, feminist theorist and psychoanalytic scholar. The breadth of the book's reach will expand the vernacular of documentary studies in a most significant way."—Michael Renov, author of The Subject of Documentary

See the publisher website: University of California Press