MENU   

Intelligence Work

The Politics of American Documentary

de

Type
Studies
Sujet
Genre
Mots Clés
documentary, United States, history of cinema
Année d'édition
Editeur
Columbia University Press
Collection
Film and Culture
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Hardcover432 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN
978-0-231-14206-9
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Description de l'ouvrage:
Intelligence Work establishes a new genealogy of American social documentary, proposing a fresh critical approach to the aesthetic and political issues of nonfiction cinema and media. Jonathan Kahana argues that the use of documentary film by intellectuals, activists, government agencies, and community groups constitutes a national-public form of culture, one that challenges traditional oppositions between official and vernacular speech, between high art and popular culture, and between academic knowledge and common sense. Placing iconic images and the work of celebrated filmmakers next to overlooked and rediscovered productions, Kahana demonstrates how documentary collects and delivers the evidence of the American experience to the public sphere, where it lends force to political movements and gives substance to the social imaginary.

À propos de l'auteur :
Jonathan Kahana is assistant professor of cinema studies at Tisch School of the Arts at New York University.

Revue de Presse:
[A] sobering reappraisal of documentary film. Lyell Davies, AfterImage

[Kahana] illuminates many documentaries that deserve to be much better known... Recommended. Choice

the author's impressive grasp of documentary history and insightful discussion of cinematic form make Intelligence Work a significant contribution to the literature on documentary. Susan Ryan, Cineaste

Kahana's approach navigates what might be called the interstices of political critique, revealing documentary's multiplicity while marking its relative successes and limits. Jeffrey Geiger, New Formations

[Kahana provides] a much-needed survey of a century-long development in cultural history that is nonetheless tightly focused on the crucial political issue of how art enables the production of publics. Jeff Allred, American Literature

Kahana is often intensely insightful about form and style in the films he considers, such as a sophisticated analysis of sound particularly in radical documentaries of the 60s on. Chuck Kleinhans, Jump Cut

Voir le

> Du même auteur :

The Documentary Film Reader:History, Theory, Criticism

(2016)

History, Theory, Criticism

Dir.

Sujet : Genre >

> Sur un thème proche :

Beyond Bias:Conservative Media, Documentary Form, and the Politics of Hysteria

(2021)

Conservative Media, Documentary Form, and the Politics of Hysteria

de

Sujet : Genre >

The Possible South:Documentary Film and the Limitations of Biraciality

(2020)

Documentary Film and the Limitations of Biraciality

de

Sujet : Genre >

Screening Reality:How Documentary Filmmakers Reimagined America

(2020)

How Documentary Filmmakers Reimagined America

de

Sujet : Genre >

American Documentary Filmmaking in the Digital Age:Depictions of War in Burns, Moore, and Morris

(2018)

Depictions of War in Burns, Moore, and Morris

de

Sujet : Genre >

The Great Sports Documentaries:100+ Award Winning Films

(2017)

100+ Award Winning Films

de

Sujet : Genre >

Celluloid Pueblo:Western Ways Films and the Invention of the Postwar Southwest

(2016)

Western Ways Films and the Invention of the Postwar Southwest

de

Sujet : Genre >

Projecting Race:Postwar America, Civil Rights, and Documentary Film

(2016)

Postwar America, Civil Rights, and Documentary Film

de

Sujet : Genre >

American Documentary Film:Projecting the Nation

(2011)

Projecting the Nation

de

Sujet : Genre >

17082 livres recensés   •   (c)2024-2026 cinemabooks.info   •  
Les livres en français sont sur www.livres-cinema.info