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Melodrama and Asian Cinema
Edited by Wimal Dissanayake
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Book Presentation:
Cinema is a dominant force in the lives of many people living in Asia, a continent that has a number of distinguished national film industries. A concept central to much of Asian film production is melodrama. This path-breaking study examines the importance of melodrama in the film traditions of Japan, India, China, Indonesia, the Philippines, and Australia. Exploring the various ways that melodrama operates with theoretical sophistication, the various essays contained in this volume shed light on the different traditions of Asian cinema, as well as on the wider cultural discourse in which they participate.
See the publisher website: Cambridge University Press
> From the same author:
Routledge Handbook of Indian Cinemas (2018)
Dir. K. Gokulsing and Wimal Dissanayake
Rethinking Third Cinema (2003)
Dir. Wimal Dissanayake and Anthony Guneratne
> On a related topic:
The Asian Family in Literature and Film (2024)
Challenges and Contestations-South Asia, Southeast Asia and Asian Diaspora, Volume II
Dir. Bernard Wilson and Sharifah Aishah Osman
The Asian Family in Literature and Film (2024)
Changing Perceptions in a New Age-East Asia, Volume I
Dir. Bernard Wilson and Sharifah Aishah Osman
Remapping the Cold War in Asian Cinemas (2024)
Dir. Sangjoon Lee and Darlene Espena
Theorizing Colonial Cinema (2022)
Reframing Production, Circulation, and Consumption of Film in Asia
Dir. Nayoung Aimee Kwon, Takushi Odagiri and Moonim Baek
Exploring Morality and Sexuality in Asian Cinema (2020)
Cinematic Boundaries
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