Vision/Re-Vision
Adapting Contemporary American Fiction To Film
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The essays in Vision/Re-Vision analyze in detail ten popular and important films adapted from contemporary American fiction by women, addressing the ways in which the writers' latent or overt feminist messages are reinterpreted by the filmmakers who bring them to the screen, demonstrating that there is much to praise as well as much to fault in the adaptations and that the process of adaptation itself is instructive rather than destructive, since it enriches understanding about both media.
> From the same author:
The Othering of Women in Silent Film (2023)
Cultural, Historical, and Literary Contexts
Subject: Silent Cinema
Silent Serial Sensations (2020)
The Wharton Brothers and the Magic of Early Cinema
Subject: History of Cinema
Richard E. Norman and Race Filmmaking (2013)
Subject: Director > Richard E. Norman
Take Two (1994)
Adapting the Contemporary American Novel to Film
Dir. Barbara Tepa Lupack
Subject: Technique > Adaptation
> On a related topic:
The History of German Literature on Film (2025)
Subject: Technique > Adaptation
Film Adaptations of Russian Classics (2024)
Dialogism and Authorship
Dir. Alexandra Smith and Olga Sobolev
Subject: Technique > Adaptation
Retelling Jane Austen (2024)
Essays on Recent Adaptations and Derivative Works
Dir. Tammy Powley and April Van Camp
Subject: Technique > Adaptation
English Classics in Audiovisual Translation (2024)
Dir. Irene Ranzato and Luca Valleriani
Subject: Technique > Adaptation
Hemingway and Film (2024)
Reflections on Teaching, Reading, and Understanding
Dir. Cam Cobb and Marc K. Dudley
Subject: Technique > Adaptation
Uncanny Fidelity (2023)
Recognizing Shakespeare in Twenty-First-Century Film and Television
by James Newlin
Subject: Technique > Adaptation
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