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Murakami Haruki on Film

by

Type
Studies
Subject
Technique
Keywords
adaptation, literature, Japan
Publishing date
Publisher
Association for Asian Studies
Collection
Asia Shorts
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback122 pages
6 x 9 inches (15.5 x 23 cm)
ISBN
978-1-9526365-3-0
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Book Presentation:
Murakami Haruki on Film offers a timely look at the cinematic adaptations of Japanese writer Murakami Haruki's fiction over the past forty years. Films based on Murakami's work (including Tony Takitani (2004), Norwegian Wood (2010), Burning (2018), Drive My Car (2022), and many more) manifest a contradictory impulse to faithfully capture the author's literary worlds while expanding and developing these worlds at the same time. Created by directors from Japan, South Korea, Vietnam, Mexico, and the United States, among other national traditions, these films demonstrate the way adaptations are fundamentally creative works that say something new about the different cultural contexts in which they appear. Though the creative reworking of Murakami's literary worlds threatens to distance us from the author and his work, however, this book argues that the very process of "translating" Murakami from one medium to another references the theme of transformation that is central to his work.

About the Author:
Marc Yamada is a Professor of Interdisciplinary Humanities at BYU. He received a PhD in Japanese Literature & Culture from UC Berkeley. Marc has published articles and books on modern Japanese literature, film, and manga. His recent books include Kore-eda Hirokazu: Shared Spaces of Filmmaking (University of Illinois Press, 2023) and Locating Heisei in Japanese Fiction and Film: The Historical Imagination of the Lost Decades (Routledge, 2019).

See the

> From the same author:

Locating Heisei in Japanese Fiction and Film:The Historical Imagination of the Lost Decades

(2021)

The Historical Imagination of the Lost Decades

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