Take Two
Adapting the Contemporary American Novel to Film
Edited by Barbara Tepa Lupack
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From Edwin S. Porter to Mike Nichols, from D. W. Griffith to Steven Spielberg, American filmmakers have looked to the novel for story ideas.
Different in its complexities from the classic novels of Dickens, London, and Tolstoy to which earlier filmmakers turned, the contemporary American novel poses a real challenge to the filmmaker, who must translate its occasionally unfilmable essence for a new audience. Take Two closely analyzes the adaptations of ten such works: Catch-22, One Flew over the Cuckoo's Nest, Slaughterhouse-Five, Being There, The World According to Garp, Sophie’s Choice, The Color Purple, Ironweed, Tough Guys Don't Dance, and Billy Bathgate.
> From the same author:
The Othering of Women in Silent Film (2023)
Cultural, Historical, and Literary Contexts
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Silent Serial Sensations (2020)
The Wharton Brothers and the Magic of Early Cinema
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Richard E. Norman and Race Filmmaking (2013)
Subject: Director > Richard E. Norman
Vision/Re-Vision (1997)
Adapting Contemporary American Fiction To Film
Subject: Technique > Adaptation
> On a related topic:
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Retelling Jane Austen (2024)
Essays on Recent Adaptations and Derivative Works
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English Classics in Audiovisual Translation (2024)
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Hemingway and Film (2024)
Reflections on Teaching, Reading, and Understanding
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Uncanny Fidelity (2023)
Recognizing Shakespeare in Twenty-First-Century Film and Television
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