(Re)viewing Creative, Critical and Commercial Practices in Contemporary Spanish Cinema
Edited by Duncan Wheeler and Fernando Canet
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Book Presentation:
Formulated around a number of key thematic concerns—new creative trends; the politics and practices of memory; auteurship, genre, and stardom in a transnational age—this reassessment of contemporary Spanish cinema from 1992 to 2012 brings leading academics from a broad range of disciplinary and geographical backgrounds into dialogue with critically and commercially successful practitioners to suggest the need to redefine the parameters of one of the world’s most creative national cinemas. This volume will appeal not only to students and scholars of Spanish film, but also to anyone with an interest in contemporary world cinema.
> From the same authors:
The Representation of Perpetrators in Global Documentary Film (2025)
Dir. Fernando Canet
Subject: Genre > Documentary
> On a related topic:
Volatile Whiteness (2025)
Race, Cinema, and Europeanization in Spain
Spanish Meta-Art and Contemporary Cinema (2025)
Mirrors to the Unconscious
Catalan Cinema (2024)
The Barcelona Film School and the New Avant-Garde
Dir. Anton Pujol and Jaume Martí-Olivella
Patriarchy's Remains (2024)
An Autopsy of Iberian Cinematic Dark Humour
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