MENU   

Afghanistan in the Cinema

de

Type
Studies
Sujet
Mots Clés
Afghanistan, representation, national cultures, ideology
Année d'édition
Editeur
University of Illinois Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback208 pages
6 x 9 inches (15 x 23 cm)
ISBN
978-0-252-07712-8
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Description de l'ouvrage:
Representing Afghanistan in film, from the West and East

In this timely critical introduction to the representation of Afghanistan in film, Mark Graham examines the often surprising combination of propaganda and poetry in films made in Hollywood and the East. Through the lenses of postcolonial theory and historical reassessment, Graham analyzes what these films say about Afghanistan, Islam, and the West and argues that they are integral tools for forming discourse on Afghanistan, a means for understanding and avoiding past mistakes, and symbols of the country's shaky but promising future. Thoughtfully addressing many of the misperceptions about Afghanistan perpetuated in the West, Afghanistan in the Cinema incorporates incisive analysis of the market factors, funding sources, and political agendas that have shaped the films.
The book considers a range of films, beginning with the 1970s epics The Man Who Would Become King and The Horsemen and following the shifts in representation of the Muslim world during the Russian War in films such as The Beast and Rambo III. Graham then moves on to Taliban-era films such as Kandahar, Osama, and Ellipsis, the first Afghan film directed by a woman. Lastly, the book discusses imperialist nostalgia in films such as Charlie Wilson's War and destabilizing visions represented in contemporary works such as The Kite Runner.

À propos de l'auteur :
Mark Graham is the author of How Islam Created the Modern World and several works of fiction, including the Edgar Allan Poe Award–winning novel The Black Maria: A Mystery of Old Philadelphia. He lives in Pennsylvania.

Revue de Presse:
"Afghanistan in the Cinema challenges us to see through the web of barely visible ideology spun by pundits and politicians."--ExpressMilwaukee.com

"Thrillingly, dangerously pivotal. If the value of movies about Afghanistan is understanding Afghanistan, this book is a wonder. Essential."--Choice

Voir le

> Sur un thème proche :

Transnationalism and Imperialism:Endurance of the Global Western Film

(2022)

Endurance of the Global Western Film

Dir. et

Sujet :

Picturing Japaneseness:Monumental Style, National Identity, Japanese Film

(1996)

Monumental Style, National Identity, Japanese Film

de

Sujet : Countries >

Working Women on Screen:Paid Labour and Fourth Wave Feminism

(2025)

Paid Labour and Fourth Wave Feminism

Dir. , et

Sujet :

Post-Yugoslav Cinema and the Shadows of War:A Study of Non-Representation in Film

(2025)

A Study of Non-Representation in Film

de

Sujet :

It's All in the Delivery:Pregnancy in American Film and Television Comedy

(2024)

Pregnancy in American Film and Television Comedy

de

Sujet :

Down Syndrome Culture:Life Writing, Documentary, and Fiction Film in Iberian and Latin American Contexts

(2024)

Life Writing, Documentary, and Fiction Film in Iberian and Latin American Contexts

de

Sujet :

The Movies of Racial Childhoods:Screening Self-Sovereignty in Asian/America

(2024)

Screening Self-Sovereignty in Asian/America

de

Sujet :

Torturous Etiquettes:Film Performance and Social Form

(2024)

Film Performance and Social Form

de

Sujet :

16168 livres recensés   •   (c)2024-2026 cinemabooks.info   •  
Les livres en français sont sur www.livres-cinema.info