Movie Mavens

US Newspaper Women Take on the Movies, 1914-1923

Ajouter à ma liste

Sous la direction de Richard Abel

Type

Writings

Sujet

On Films > Movie magazines

Mots Clés

women, press, early cinema

Année d'édition

2021

Editeur

University of Illinois Press

Langue

anglais

Taille du livre

Format

Paperback • 272 pages
6 x 9 inches (15 x 23 cm)

ISBN

978-0-252-08604-5

Appréciation

(0 vote)

X

Moyenne des votes :

0	vote	= On peut s'en passer
0	vote	= Bon livre
0	vote	= Excellent livre
0	vote	= Unique / une référence

Votre vote : -

Description de l'ouvrage:
An anthology of women's writing from the early era of film

During the early era of cinema, moviegoers turned to women editors and writers for the latest on everyone's favorite stars, films, and filmmakers. Richard Abel returns these women to film history with an anthology of reviews, articles, and other works. Drawn from newspapers of the time, the selections show how columnists like Kitty Kelly, Mae Tinee, Louella Parsons, and Genevieve Harris wrote directly to female readers. They also profiled women working in jobs like scenario writer and film editor and noted the industry's willingness to hire women. Sharp wit and frank opinions entertained and informed a wide readership hungry for news about the movies but also about women on both sides of the camera. Abel supplements the texts with hard-to-find biographical information and provides context on the newspapers and silent-era movie industry as well as on the professionals and films highlighted by these writers.
An invaluable collection of rare archival sources, Movie Mavens reveals women's essential contribution to the creation of American film culture.

À propos de l'auteur :
Richard Abel is a professor emeritus of international cinema and media studies at the University of Michigan. His recent books include Menus for Movie Land: Newspapers and the Emergence of American Film Culture, 1913-1916, and Motor City Movie Culture, 1916-1925. He is also the coeditor of Barbara C. Hodgdon’s writings, Ghostly Fragments and the 2017 winner of the Jean Mitry Award.

Revue de Presse:
"With a scholar's knack for detail, Abel provides context for this crucial period of cinema history. An illuminating combination of scholarship and nostalgia." --Library Journal

"Juxtaposing biographical information found through archival research with samples of film criticism transcribed from local papers, Abel throws a much-needed light on the female columnists who originally mediated the pictures for a mass audience increasingly defined by young women and girls." --Nineteenth Century Theatre and Film

Voir le site internet de l'éditeur University of Illinois Press