The Red Rooster Scare

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by Richard Abel

Type

Studies

Subject

Silent Cinema

Keywords

history of cinema, United States, French cinema, silent cinema, early cinema

Publishing date

1999

Publisher

University of California Press

Language

English

Relative size

Physical desc.

Paperback • 324 pages
6 x 9 inches (15 x 23 cm)

ISBN-10
ISBN-13

0-520-21478-1
978-0-520-21478-1

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Book Presentation:
Only once in cinema history have imported films dominated the American market: during the nickelodeon era in the early years of the twentieth century, when the Pathé company's "Red Rooster" films could be found "everywhere." Through extensive original research, Richard Abel demonstrates how crucial French films were in making "going to the movies" popular in the United States, first in vaudeville houses and then in nickelodeons.

Abel then deftly exposes the consequences of that popularity. He shows how, in the midst of fears about mass immigration and concern that women and children (many of them immigrants) were the principal audience for moving pictures, the nickelodeon became a contested site of Americanization. Pathé's Red Rooster films came to be defined as dangerously "foreign" and "alien" and even "feminine" (especially in relation to "American" subjects like westerns). Their impact was thwarted, and they were nearly excluded from the market, all in order to ensure that the American cinema would be truly American.

The Red Rooster Scare offers a revealing and readable cultural history of American cinema's nationalization, by one of the most distinguished historians of early cinema.

About the Author:
Richard Abel is NEH Professor of English at Drake University and author of The Ciné Goes to Town: French Cinema, 1896-1914 (California, 1994), French Film Theory and Criticism, 1907-1939 (1988), and French Cinema: The First Wave, 1915-1929 (1984).

Press Reviews:
"This outstanding work offers a new description of the evolution of American cinema in the nickelodeon period. . . . With his usual groundbreaking research, Abel demonstrates the key role Pathé films played in this transformation. . . . Although clearly of crucial importance to film studies and film history, this treatment of the issues of the rise of nationalism within the cinema should make the work of great interest to historians dealing with modern nationalism and its relation to mass media."—Tom Gunning, author of D. W. Griffith and the Origins of Narrative Film

See the publisher website: University of California Press