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Fiasco

A History of Hollywood's Iconic Flops

de

Type
Stories
Sujet
Studio
Mots Clés
Hollywood, classical Hollywood, production
Année d'édition
Editeur
John Wiley & Sons
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Hardcover359 pages
6 ½ x 9 ½ inches (16.5 x 24 cm)
ISBN-10
ISBN-13
0-470-09829-5
978-0-470-09829-5
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Description de l'ouvrage:
Today, not just the film industry, but the public at large (thanks to an abundance of information available on the Internet) track the success/failure of new releases as they face the moment of truth at the box-office. This volume focuses on vivid case studies of several intriguing Hollywood screen misfires over the last four decades (including 1963's Cleopatra, 1984's The Cotton Club, and 2000's Battlefield Earth). Each self-contained narrative traces the colorful history of the badly misguided project through to its final release. Interwoven into the telling accounts are portrayals of the powerful major players (both in front of and behind the camera) who battle intricate studio politics, on-set ego disputes, and the vagaries of Mother Nature while on location in order to achieve the final screen product. This book relates the incredible stories of how these movies were made and the complex and sensational processes behind how they ever came to be.

Description de l'ouvrage:
A Hollywood insider answers, once and for all, the eternal question: “How in the world did that picture ever get made?” One thing we movie lovers enjoy almost as much as fireworks on the silver screen is watching a movie go up in flames. And while each season brings its fresh batch of stinkers, it takes years and a rare confluence of forces to give birth to an “Iconic Flop” like Showgirls. While movies such as Gigli are just plain dumb, a bunker-buster like Battlefield Earth can be absolutely dumbfounding in its big-budget awfulness. In Fiasco, longtime industry insider and acclaimed Hollywood historian James Robert Parish goes behind the scenes to tell the stories of fifteen of the most spectacular megaflops of the past fifty years. No mere financial disappointments these, each of the artistic and financial failures covered was of a magnitude to bankrupt studios, demolish reputations, and, in some cases, totally reconfigure the Hollywood power structure. With verve and no small measure of edgy wit, Parish dishes up the gossip, the grosses, and the egregious battles connected with these disasters. He recounts, in every gory detail, how enormous hubris, unbridled ambition, artistic hauteur, and bad business sense on the parts of Tinsel Town wheeler-dealers and superstars such as Elizabeth Taylor, Sam Spiegel, Robert Altman, Clint Eastwood, Robert Evans, Francis Ford Coppola, Madonna, Kevin Costner, and Warren Beatty conspired to engender some of the worst films ever. And he vividly recreates the behind-the-scenes melodramas connected with the making of Cleopatra, Paint Your Wagon, Popeye, The Cotton Club, Shanghai Surprise, Ishtar, Waterworld, Town & Country, and other unforgettable Hollywood megaflops of the past fifty years. “Fiasco is a know-it-all backstory of infamous film flops, wittily reminding us how often, and in so many ways, Hollywood can screw up the best laid plans.” ―Patrick McGilligan, author of Alfred Hitchcock: A Life in Darkness and Light

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