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The Category of Children's Cinema in India
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Book Presentation:
The significance of the book comes mainly because, in drawing on psychoanalysis and its impact on film-theory, it also draws from an Indian tradition of both psychoanalytic practice alongside a larger post-colonial theory of, broadly, mental health, more specifically the link between such theory and the condition of the colonial subject. It then links this theoretical legacy onto Indian cinema’s theories around realism and statehood, proposing via a rarely discussed category, that of children’s films, the domain of both a proto-citizen (or not-yet-citizen) – children- and the genre of fantasy, a whole new standpoint from where to think through larger questions of citizenship.
See the publisher website: Indian Institute of Advance Study
> From the same author:
Framing the Nation (2011)
Languages of 'Modernity' in India
> On a related topic:
Muslim Identity in Hindi Cinema (2025)
Poetics and Politics of Genre and Representation
Ways of Remembering (2024)
Law, Cinema and Collective Memory in the New India
Visual Anthropology of Indian Films (2024)
Religious Communities and Cultural Traditions in Bollywood and Beyond
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Postcolonial Bollywood and Muslim Identity (2024)
Production, Representation, and Reception
Indian Cinema and Human Rights (2024)
An Intersectional Tale
Dir. Adam Dubin, Ruchira Goswami and Ishita Sharma
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