MENU   

Salaam Bollywood

Representations and interpretations

Edited by , and

Type
Studies
Subject
Countries
Keywords
India, Hindi cinema, history of cinema
Publishing date
Publisher
Routledge India
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover320 pages
5 ½ x 8 ½ inches (14 x 21.5 cm)
ISBN
978-1-138-64962-0
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
This book traces the journey of popular Hindi cinema from 1913 to contemporary times when Bollywood has evolved as a part of India’s cultural diplomacy. Avoiding a linear, developmental narrative, the book re-examines the developments through the ruptures in the course of cinematic history. The essays in the volume critically consider transformations of the Hindi film industry from its early days to its present self-referential mode, issues of gender, dance and choreography, Bombay cinema’s negotiations with the changing cityscape and urbanisms, and concentrate on its multifarious regional, national and transnational implications in the 21st century.

One of the most comprehensive volumes on Bollywood, this work presents an analytical overview of the multiple histories of popular cinema in India and will be useful to scholars and researchers interested in film and media studies, South Asian popular culture and modern India, as well as to cinephiles and general readers alike.

About the authors:
Vikrant Kishore is an academic, film-maker, journalist, photographer and currently Lecturer in Media at RMIT University, Melbourne, Australia.Amit Sarwal is Honorary Associate Professor at RMIT University, Melbourne, Australia and Founding Convenor of the Australia–India Interdisciplinary Research Network. Parichay Patra is a doctoral candidate in the Department of Film and Screen Studies, School of Media, Film and Journalism, Monash University, Melbourne, Australia.

> From the same authors:

Sine Ni Lav Diaz:A Long Take on the Filipino Auteur

(2021)

A Long Take on the Filipino Auteur

Dir. and

Subject: Director >

Indian Cinema:Filmic Content, Social Interface and New Technologies

(2019)

Filmic Content, Social Interface and New Technologies

by and

Subject: Countries >

> On a related topic:

Indian Cinema:A Very Short Introduction

(2016)

A Very Short Introduction

by

Subject: Countries >

Bombay before Bollywood:Film City Fantasies

(2015)

Film City Fantasies

by

Subject: Countries >

Producing Bollywood:Inside the Contemporary Hindi Film Industry

(2012)

Inside the Contemporary Hindi Film Industry

by

Subject: Countries >

Behind the Curtain:Making Music in Mumbai's Film Studios

(2008)

Making Music in Mumbai's Film Studios

by

Subject: Countries >

Bombay Cinema:An Archive of the City

(2007)

An Archive of the City

by

Subject: Countries >

Bollypolitics:Popular Hindi Cinema and Hindutva

(2026)

Popular Hindi Cinema and Hindutva

by

Subject: Countries >

Muslim Identity in Hindi Cinema:Poetics and Politics of Genre and Representation

(2025)

Poetics and Politics of Genre and Representation

by

Subject: Countries >

Networked Bollywood:How Star Power Globalized Hindi Cinema

(2024)

How Star Power Globalized Hindi Cinema

by

Subject: Countries >

Centring Women in Bollywood Biopics:Empowerment and Agency in Contemporary Indian Cinema

(2024)

Empowerment and Agency in Contemporary Indian Cinema

by and

Subject: Countries >

Postcolonial Bollywood and Muslim Identity:Production, Representation, and Reception

(2024)

Production, Representation, and Reception

by

Subject: Countries >

16168 books listed   •   (c)2024-2026 cinemabooks.info   •  
Books in French are on www.livres-cinema.info