MENU   

Screenwriting is Filmmaking

The Theory and Practice of Writing for the Screen

by

Type
Didactic
Subject
Technique
Keywords
scriptwriting
Publishing date
Publisher
The Crowood Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback168 pages
7 ½ x 9 ¾ inches (19 x 25 cm)
ISBN
978-1-78500-609-8
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
To write for the unique medium of the screen, you need to be as engaged with the theory and practice of film as you are with words. Screenwriting is Filmmaking provides a wealth of insights for new and experienced writers alike on the historical, theoretical and practical essentials of screenwriting. With clear analyses drawn from a wide range of classical and contemporary films, alongside case studies and practical exercises, this book encourages the development of craft skills and a personal voice through the writing of short and feature screenplays. You will learn how to develop your screenplay from idea to final draft; apply the techniques of narrative, structure and visual language; build rounded and convincing characters; craft compelling scenes through dialogue and sub-text and maintain a meaningful and lasting creative practice. Brian Dunnigan draws on over thirty years' experience of writing, teaching and making films, to provide a practical guide on how to become an effective screenwriter as well as giving a fascinating insight into visual storytelling and the place of the screenplay in the collaborative process of filmmaking. Develop your screenplay from idea to final draft. Apply the techniques of narrative, structure and visual language. Build rounded and convincing characters. Craft compelling scenes through dialogue and sub-text. Move forward in personal and professional development. Maintain a meaningful and lasting creative practice.

About the Author:
Brian Dunnigan is an award-winning filmmaker and commissioned writer of feature screenplays. As Head of Screenwriting at the London Film School he created and ran the highly rated MA Screenwriting (MAS) programme for over a decade. Graduate students included BAFTA, Cannes and Oscar winners, and several hundred students who have successfully entered the screen and creative industries around the world. He lives and works in London, and runs workshops internationally.

Press Reviews:
"One of the best Screenwriting books of all time" - BookAuthority

See the

> On a related topic:

The Heart of Your Script:The Insider's Guide to Writing the Difficult Middle Section of a Screenplay

(2026)

The Insider's Guide to Writing the Difficult Middle Section of a Screenplay

by and

Subject: Technique >

Rem Koolhaas as Scriptwriter:OMA Architecture Script for West Berlin

(2025)

OMA Architecture Script for West Berlin

by

Subject: Technique >

Beyond the Monoplot:How to Write Unconventional Films (and Why We Should)

(2025)

How to Write Unconventional Films (and Why We Should)

by

Subject: Technique >

Scriptnotes:A Book About Screenwriting and Things That Are Interesting to Screenwriters

(2025)

A Book About Screenwriting and Things That Are Interesting to Screenwriters

by and

Subject: Technique >

Film as Argument:The Secret to Feature Film Storytelling

(2025)

The Secret to Feature Film Storytelling

by

Subject: Technique >

Save the Cat! Writes Horror:The Ultimate Guide to Creating Monster in the House Stories

(2025)

The Ultimate Guide to Creating Monster in the House Stories

by

Subject: Technique >

The Screenwriting Sensei:A Complete Guide to Writing Your First Script

(2025)

A Complete Guide to Writing Your First Script

by

Subject: Technique >

16917 books listed   •   (c)2024-2026 cinemabooks.info   •  
Books in French are on www.livres-cinema.info