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The Palgrave Handbook of Comparative New Cinema Histories
(livre en anglais)
Sous la direction de Daniela Treveri Gennari, Lies Van de Vijver et Pierluigi Ercole
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Description de l'ouvrage :
This Handbook offers new and previously unexplored comparative approaches to the field of New Cinema History. The volume brings together contributions focussing on historical and contemporary comparative case studies of cinema-going practices, cinema distribution, exhibition and reception from a global perspective. Engaging with a wealth of empirical and archive-based sources the volume explores a wide range of methodological and theoretical approaches. This Handbook is a key addition to debates on the relationship between film industry and cinema-going practices across different political and cultural geographical dimensions.
Chapter(s) “Chapter 8.” is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
À propos des auteurs :
Daniela Treveri Gennari is Professor of Cinema Studies at Oxford Brookes University, UK. She is the Principal Investigator of the AHRC-funded project European Cinema Audiences. Entangled Histories, Shared Memories. Her publications include, among others, the edited volume Rural Cinema Exhibition and Audiences in a Global Context (Palgrave, 2018). Lies Van de Vijver is Co-Investigator and project manager of European Cinema Audiences. She edited Mapping Movie Magazines: Digitization, Periodicals and Cinema History (Palgrave, 2020) with Daniel Biltereyst, runner-up for BAFTSS Best Edited Collection 2021.Pierluigi Ercole is Associate Professor of Film Studies at De Montfort University, UK. He is Co-Investigator for the AHRC-funded project European Cinema Audiences. Entangled Histories, Shared Memories.
Voir le site internet de l'éditeur Palgrave MacMillan
> Des mêmes auteurs :
Italian Cinema Audiences (2022)
Histories and Memories of Cinema-going in Post-war Italy
de Daniela Treveri Gennari, Catherine O'Rawe, Danielle Hipkins et Silvia Dibeltulo
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Digitization, Periodicals and Cinema History
Dir. Daniel Biltereyst et Lies Van de Vijver
Sujet : Les Films > Revues de cinéma
Moralizing Cinema (2018)
Film, Catholicism, and Power
Dir. Daniel Biltereyst et Daniela Treveri Gennari
Sujet : Sociologie
Post-War Italian Cinema (2010)
American Intervention, Vatican Interests
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