MENU   

The Enchanting Kinora

Domesticating Moving Images in Edwardian Britain

by and

Type
Studies
Subject
Keywords
history of cinema, early cinema, camera
Publishing date
Publisher
BFI Publishing
Collection
Audio-Visual Media and Archives
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover256 pages
6 ½ x 9 ¼ inches (16.5 x 23.5 cm)
ISBN
978-1-83902-689-8
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
Marketed as more affordable and safer than film cameras, the Kinora system, launched in 1903, was one of the first amateur filmmaking devices and represents one of the earliest attempts to create a domestic market for moving images.

In The Enchanting Kinora, Elizabeth Evans examines the Kinora in its technological, industrial and socio-cultural context to explore how early attempts to domesticate moving images were configured. She closely analyses 84 previously unexamined Kinora reels, filmed using the early motion picture device between 1908-1913 and held by the Smedley Collection. These include 23 reels that were produced for public consumption and others that were meant solely for private viewing by the Smedley family. She goes on to consider the reels as material objects, examining not only their content, but also how the collection was preserved and catalogued by members of the family. Finally, she reflects on her own connection to the reels as the Smedleys' great-granddaughter.

In doing so, Evans expands our understanding of moving images' emergence as part of a wider network of cultural practices in Edwardian Britain that featured within domestic as well as public and professional spaces.

About the authors:
Elizabeth Evans is Professor of Screen Cultures at the University of Nottingham, UK. She is author of Understanding Engagement in Transmedia Culture (2020) and Transmedia Television (2011).

See the

> From the same authors:

> On a related topic:

Popular Visual Shows 1800–1914:Picturegoing from Peep Shows to Film

(2025)

Picturegoing from Peep Shows to Film

by and

Subject:

Hollywood in the Klondike:Dawson City's Great Film Find

(2023)

Dawson City's Great Film Find

by

Subject:

City of Cinema:Paris 1850-1907

(2022)

Paris 1850-1907

Collective

Subject:

Politicking and Emergent Media:US Presidential Elections of the 1890s

(2016)

US Presidential Elections of the 1890s

by

Subject:

Flickering Empire:How Chicago Invented the U.S. Film Industry

(2015)

How Chicago Invented the U.S. Film Industry

by and

Subject:

Beyond the Screen:Institutions, Networks, and Publics of Early Cinema

(2012)

Institutions, Networks, and Publics of Early Cinema

Collective

Subject:

Los Angeles Before Hollywood:Journalism and American Film Culture, 1905 to 1915

(2009)

Journalism and American Film Culture, 1905 to 1915

by

Subject:

For the Love of Pleasure:Women, Movies, and Culture in Turn-the-Century Chicago

(1998)

Women, Movies, and Culture in Turn-the-Century Chicago

by

Subject:

Living Pictures:The Origins of the Movies

(1998)

The Origins of the Movies

by

Subject:

16168 books listed   •   (c)2024-2026 cinemabooks.info   •  
Books in French are on www.livres-cinema.info