MENU   

Filmic Sociology

Theory and Practice

by and

Type
Studies
Subject
Keywords
sociology, technique
Publishing date
Publisher
Palgrave MacMillan
Collection
Social Visualities
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover • 253 pages
6 ¼ x 8 ¾ inches (16 x 22 cm)
ISBN
978-3-031-33695-9
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
This book is an exploration of the intellectual resources offered by the hybridisation of sociology and cinema: practicing sociology, or other human sciences, through images and sound. In the age of the image, the book invites sociological research, not only through the discipline's approach, but also through the joint learning of techniques (shooting and sound recording, derushing, editing, etc.) and film writing.

Using concrete examples, the authors analyse what it means to think through the image, explain the different phases of making a sociological documentary, and question, through sociological film, the representations of reality and, more specifically, what remains invisible in the social world. The result is a reflective look at the theories and practices presented, to better equip the sociologist-filmmaker.

Illustrated with numerous photographs that mark the history of documentary photography and film, the book is intended for both teachers-researchers and students in all disciplines of the humanities and social sciences who practice video and photography or wish to discover their uses. Students in documentary and film schools, as well as students on information and communication programs will also benefit from the book.

About the authors:
Joyce Sebag is Professor Emeritus of Sociology at the Centre Pierre Naville, University of Evry Paris-Saclay, France, where she created the Master Image et Société and supervised several theses in filmic sociology. Jean-Pierre Durand is Professor Emeritus of Sociology at the University of Evry Paris-Saclay, France, where he founded the Pierre Naville Center. He has published several books on sociology of work with Palgrave.

See the

> On a related topic:

Feminist Visions:Tracing Feminist Epistemologies in Contemporary Film and Television

(2026)

Tracing Feminist Epistemologies in Contemporary Film and Television

Dir. and

Subject:

Unsuitable Film and Video Audiences:Underage Viewing Memories and Practices in 1980s United Kingdom

(2026)

Underage Viewing Memories and Practices in 1980s United Kingdom

by

Subject:

Displacement of (M)others in Twenty-First-Century US Films:Impact on Maternal Identities of

(2026)

Impact on Maternal Identities of "Other" Subjectivities

by

Subject:

Images of Unrest:Documentary Film and Political Violence

(2026)

Documentary Film and Political Violence

by and

Subject:

A Sudden Flicker of Light:A Revisionist History of Movies

(2026)

A Revisionist History of Movies

by

Subject:

The Sex Scene:Space, Place, Industry

(2026)

Space, Place, Industry

Dir. and

Subject:

Kinotopias:Film, Place and Belonging in a Bordered World

(2026)

Film, Place and Belonging in a Bordered World

by , , and

Subject:

River Delta Futures:Endangered Communities in Audiovisual Media

(2026)

Endangered Communities in Audiovisual Media

Dir. and

Subject:

17412 books listed   •   (c)2024-2026 cinemabooks.info   •     •   Privacy policy
Books in French are on www.livres-cinema.info