Pictorial Affects, Senses of Rupture
On the Poetics and Culture of Popular German Cinema, 1910-1930
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Description de l'ouvrage:
German film in the Wilhelmine and Weimar periods is regarded as marked by a strong sense of cultural conservatism and the aspiration to be recognized as an art form. This book takes an alternative approach to the history of German cinema from the emergence of the early feature film to the transition to sound by focusing on the poetics of popular genres such as the disaster film, melodrama, the musical and the war film, exploring their cultural reverberations and modes of audience address.
Based on the assumption that popular cinema contributed immensely to the breakthrough of a modern audiovisual "culture of the senses" in Germany between 1910 and 1930, Pictorial Affects, Senses of Rupture offers close readings of a number of rarely analyzed films, including one of the first cinematic adaptations of the Titanic disaster from 1912 and the German version of All Quiet on the Western Front from 1930. Restoring the films' horizons of historicity by locating them at crucial points of intersection between social, cultural, technological and aesthetic discourses, this book argues for the prominent role popular German cinema’s own forms of discursivity have played within the historical formation of modernity.
Voir le site internet de l'éditeur De Gruyter
> Sur un thème proche :
The Hygienic Apparatus (2022)
Weimar Cinema and Environmental Disorder
The Long Century's Long Shadow (2021)
Weimar Cinema and the Romantic Modern
The Uncanny Gaze (2010)
The Drama of Early German Cinema
Berlin Alexanderplatz (2009)
Radio, Film, and the Death of Weimar Culture
The Haunted Screen (2008)
Expressionism in the German Cinema and the Influence of Max Reinhardt
Weimar Cinema and After (2000)
Germany's Historical Imaginary
Danish and German Silent Cinema (2025)
Towards a Common Film Culture
Dir. Lars-Martin Sørensen et Casper Tybjerg
Sujet : Silent Cinema