Books in French are on www.livres-cinema.info
Spaces of Women's Cinema
Space, Place and Genre in Contemporary Women's Filmmaking
by Sue Thornham
(0 vote)Average rating:
| 0 | rating |  = We can do without |
| 0 | rating |  = Good book |
| 0 | rating |  = Excellent book |
| 0 | rating |  = Unique / a reference |
Your rating: -
Book Presentation:
Sue Thornham explores issues of space, place, time and gender in feminist filmmaking through an examination of a wide range of films by contemporary women filmmakers, ranging from the avant-garde to mainstream Hollywood. Beginning from questions about space itself and the way it has been gendered, she asks how representation functions in relation to space and time, and how this, too, is gendered, before moving to an exploration of how such questions might be considered in relation to women's filmmaking. In sections dealing with spaces from wilderness to city, she analyses in detail how these issues have been dealt with by women filmmakers, addressing the work of filmmakers such as Jane Campion, Kathryn Bigelow, Julie Dash, Maggie Greenwald, Patricia Rozema and Carol Morley, and films including 'An Angel at My Table' (1990), 'Daughters of the Dust' (1991) 'The Ballad of Little Jo' (1993), 'Winter's Bone' (2010), 'Zero Dark Thirty' (2012) and 'The Falling' (2014).
About the Author:
Sue Thornham is Professor of Media and Film Studies at the University of Sussex, UK.
Press Reviews:
"On the screen one sees wilderness, seemingly endless, unchanging, undefined―feminine. Entering this scene is a lone rider, the embodiment of Manifest Destiny and the "white man’s burden," the conqueror, the bringer of order―masculine. Countless films (books, artworks) have ingrained this trope within the viewer/reader; it resounds in male-directed films. What about films directed by women? How do they present space? Thornham investigates this question brilliantly … Her theoretical underpinnings are wide-ranging and her analyses compelling. This reviewer found himself wishing the book were twice as long as it is. Summing Up: Highly recommended." - CHOICE
See the publisher website: BFI Publishing
> From the same author:
> On a related topic:
Working Women on Screen (2025)
Paid Labour and Fourth Wave Feminism
Dir. Ellie Tomsett, Nathalie Weidhase and Poppy Wilde
Subject: Sociology
From La Strada to The Hours (2024)
Suffering and Sovereign Women in the Movies
Dir. Vivian Pramataroff-Hamburger and Andreas Hamburger
Subject: Sociology
Affirmative Aesthetics and Wilful Women (2021)
Gender, Space and Mobility in Contemporary Cinema
Subject: Sociology
Back
