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A Companion to Russian Cinema
Sous la direction de Birgit Beumers
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Description de l'ouvrage:
A Companion to Russian Cinema provides an exhaustive and carefully organised guide to the cinema of pre-Revolutionary Russia, of the Soviet era, as well as post-Soviet Russian cinema, edited by one of the most established and knowledgeable scholars in Russian cinema studies.
• The most up-to-date and thorough coverage of Russian, Soviet and post-Soviet cinema, which also effectively fills gaps in the existing scholarship in the field
• This is the first volume on Russian cinema to explore specifically the history of movie theatres, studios, and educational institutions
• The editor is one of the most established and knowledgeable scholars in Russian cinema studies, and contributions come from leading experts in the field of Russian Studies, Film Studies and Visual Culture
• Chapters consider the arts of scriptwriting, sound, production design, costumes and cinematography
• Provides five portraits of key figures in Soviet and Russia film history, whose works have been somewhat neglected
À propos de l'auteur :
Birgit Beumers is Professor of Film Studies at Aberystwyth University (UK). She specialises in Russian culture, especially cinema and theatre. Her most recent publications include A History of Russian Cinema (2009) and Performing Violence (with Mark Lipovetsky, 2009); she has edited Directory of World Cinema: Russia (2010; 2014), The Cinema of Alexander Sokurov (with N. Condee, 2011), Russia’s New Fin de Siècle (2013), and Cinema in Central Asia: Rewriting Cultural Histories (with M. Rouland and G. Abikeyeva, 2013). She is editor of KinoKultura and of Studies in Russian and Soviet Cinema.
Revue de Presse:
"This is a highly interesting and thought-provoking work on a subject that many of us know only too little. The former USSR has a long history and has produced leading names from the cinematic arts and technology. This is a book that sheds light on a previously darkened field and deserves to be read by all of those interested in film making. It will be a stimulating work for students of cinema and the cinematic arts and technology and will provoke much discussion."
―Eric Jukes, Reference Reviews, Volume 31, Number 4, 2017
Voir le site internet de l'éditeur Wiley-Blackwell
> Du même auteur :
Ruptures and Continuities in Soviet/Russian Cinema (2019)
Styles, characters and genres before and after the collapse of the USSR
Dir. Birgit Beumers et Eugenie Zvonkine
Sujet : Countries > Russia / USSR
The Cinema of Russia and the Former Soviet Union (2007)
Dir. Birgit Beumers
Sujet : Countries > Russia / USSR
> Sur un thème proche :
Designing Russian Cinema (2024)
The Production Artist and the Material Environment in Silent Era Film
de Eleanor Rees
Sujet : Countries > Russia / USSR
Cinepaternity (2010)
Fathers and Sons in Soviet and Post-Soviet Film
Dir. Helena Goscilo et Yana Hashamova
Sujet : Countries > Russia / USSR
Inside the Film Factory (1994)
New Approaches to Russian and Soviet Cinema
Dir. Richard Taylor et Ian Christie
Sujet : Countries > Russia / USSR
The Zero Hour (1992)
Glasnost and Soviet Cinema in Transition
de Andrew Horton et Michael Brashinsky
Sujet : Countries > Russia / USSR
Kino (1983)
A History of the Russian and Soviet Film, with a New PostScript and a Filmography Brought Up to the Present
de Jay Leyda
Sujet : Countries > Russia / USSR
She Animates (2020)
Soviet Female Subjectivity in Russian Animation
de Lora Mjolsness et Michele Leigh
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