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Ruptures and Continuities in Soviet/Russian Cinema

Styles, characters and genres before and after the collapse of the USSR

Edited by and

Type
Studies
Subject
Countries > 
Keywords
Soviet cinema, Russia, history of cinema
Publishing date
Publisher
Routledge
Collection
Routledge Contemporary Russia and Eastern Europe Series
1st publishing
2018
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 242 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN
978-0-367-87657-9
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Book Presentation:

This book, based on extensive original research, examines how far the collapse of the Soviet Union represented a threshold that initiated change or whether there are continuities which gradually reshaped cinema in the new Russia. The book considers a wide range of films and film-makers and explores their attitudes to genre, character and aesthetic style. The individual chapters demonstrate that, whereas genres shifted and characters developed, stylistic choices remained largely unaffected.

About the authors:
Birgit Beumers is Professor of Film Studies at Aberystwyth University. Eugénie Zvonkine is an Associate Professor of Cinema at the University of Paris 8.

See the

> From the same authors:

> On a related topic:

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Revolt of the Filmmakers:The Struggle for Artistic Autonomy and the Fall of the Soviet Film Industry

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The Zero Hour:Glasnost and Soviet Cinema in Transition

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