Ruptures and Continuities in Soviet/Russian Cinema
Styles, characters and genres before and after the collapse of the USSR
Sous la direction de Birgit Beumers et Eugenie Zvonkine
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Description de l'ouvrage:
This book, based on extensive original research, examines how far the collapse of the Soviet Union represented a threshold that initiated change or whether there are continuities which gradually reshaped cinema in the new Russia. The book considers a wide range of films and film-makers and explores their attitudes to genre, character and aesthetic style. The individual chapters demonstrate that, whereas genres shifted and characters developed, stylistic choices remained largely unaffected.
À propos des auteurs :
Birgit Beumers is Professor of Film Studies at Aberystwyth University. Eugénie Zvonkine is an Associate Professor of Cinema at the University of Paris 8.
> Des mêmes auteurs :
The Cinema of Russia and the Former Soviet Union (2007)
Dir. Birgit Beumers
Sujet : Countries > Russia / USSR
> Sur un thème proche :
Kino (1983)
A History of the Russian and Soviet Film, with a New PostScript and a Filmography Brought Up to the Present
de Jay Leyda
Sujet : Countries > Russia / USSR
Designing Russian Cinema (2024)
The Production Artist and the Material Environment in Silent Era Film
de Eleanor Rees
Sujet : Countries > Russia / USSR
Cinepaternity (2010)
Fathers and Sons in Soviet and Post-Soviet Film
Dir. Helena Goscilo et Yana Hashamova
Sujet : Countries > Russia / USSR
Revolt of the Filmmakers (2000)
The Struggle for Artistic Autonomy and the Fall of the Soviet Film Industry
Sujet : Countries > Russia / USSR
Inside the Film Factory (1994)
New Approaches to Russian and Soviet Cinema
Dir. Richard Taylor et Ian Christie
Sujet : Countries > Russia / USSR
The Zero Hour (1992)
Glasnost and Soviet Cinema in Transition
de Andrew Horton et Michael Brashinsky
Sujet : Countries > Russia / USSR
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