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Ruptures and Continuities in Soviet/Russian Cinema
Styles, characters and genres before and after the collapse of the USSR
Edited by Birgit Beumers and Eugenie Zvonkine
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Book Presentation:
This book, based on extensive original research, examines how far the collapse of the Soviet Union represented a threshold that initiated change or whether there are continuities which gradually reshaped cinema in the new Russia. The book considers a wide range of films and film-makers and explores their attitudes to genre, character and aesthetic style. The individual chapters demonstrate that, whereas genres shifted and characters developed, stylistic choices remained largely unaffected.
About the authors:
Birgit Beumers is Professor of Film Studies at Aberystwyth University. Eugénie Zvonkine is an Associate Professor of Cinema at the University of Paris 8.
See the publisher website: Routledge
> From the same authors:
The Cinema of Russia and the Former Soviet Union (2007)
Dir. Birgit Beumers
Subject: Countries > Russia / USSR
> On a related topic:
Kino (1983)
A History of the Russian and Soviet Film, with a New PostScript and a Filmography Brought Up to the Present
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Designing Russian Cinema (2024)
The Production Artist and the Material Environment in Silent Era Film
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Historical Dictionary of Russian and Soviet Cinema (2016)
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Cinepaternity (2010)
Fathers and Sons in Soviet and Post-Soviet Film
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Inside the Film Factory (1994)
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The Zero Hour (1992)
Glasnost and Soviet Cinema in Transition
by Andrew Horton and Michael Brashinsky
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The Film Factory (2015)
Russian and Soviet Cinema in Documents 1896-1939
Dir. Richard Taylor and Ian Christie
Subject: Countries > Russia / USSR
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