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British Horror Cinema

Edited by and

Type
Studies
Subject
Countries
Keywords
Great Britain, horror, popular films
Publishing date
Publisher
Routledge
Collection
British Popular Cinema
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback256 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN-10
ISBN-13
0-415-23004-7
978-0-415-23004-9
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Book Presentation:
British Horror Cinema investigates a wealth of horror filmmaking in Britain, from early chillers like The Ghoul and Dark Eyes of London to acknowledged classics such as Peeping Tom and The Wicker Man.

Contributors explore the contexts in which British horror films have been censored and classified, judged by their critics and consumed by their fans. Uncovering neglected modern classics like Deathline, and addressing issues such as the representation of family and women, they consider the Britishness of British horror and examine sub-genres such as the psycho-thriller and witchcraftmovies, the work of the Amicus studio, and key filmmakers including Peter Walker.

Chapters include:


the 'Psycho Thriller'
the British censors and horror cinema
femininity and horror film fandom
witchcraft and the occult in British horror
Horrific films and 1930s British Cinema
Peter Walker and Gothic revisionism.

Also featuring a comprehensive filmography and interviews with key directors Clive Barker and Doug Bradley, this is one resource film studies students should not be without.

About the authors:
Steve Chibnall is Senior Lecturer in Media Studies at DeMontfort University, Leicester. He is the co-editor of British Crime Cinema (Routledge 1999). Julian Petley is Senior Lecturer in Communication and Information Studies at Brunel University. He is co-editor of Ill Effects: The Media Violence Debate: Second Edition (Routledge 2001).

Press Reviews:
'Featuring contributions from such genre stalwarts as Kim Newman, Mark Kermode and Peter Hutchings, the book contains enough intriguing insights to keep even jaded devotees flicking through its pages.' - Film Review

'A very good reference point for anyone interested in the British horror film through the generations.' - Journal of European Area Studies

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