Synchronization and Title Sequences

Audio-Visual Semiosis in Motion Graphics

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de Michael Betancourt

Type

Essays

Sujet

Theory

Mots Clés

semiotics, titles

Année d'édition

2019

Editeur

Routledge

Collection

Routledge Focus

1ere édition

2017

Langue

anglais

Taille du livre

Format

Paperback • 156 pages
6 x 9 ½ inches (15.5 x 24 cm)

ISBN

978-0-367-89039-1

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Description de l'ouvrage:
Synchronization and Title Sequences proposes a semiotic analysis of the synchronization of image and sound in motion pictures using title sequences. Through detailed historical close readings of title designs that use either voice-over, an instrumental opening, or title song to organize their visuals—from Vertigo (1958) to The Player (1990) and X-Men: First Class (2011)—author Michael Betancourt develops a foundational framework for the critique and discussion of motion graphics’ use of synchronization and sound, as well as a theoretical description of how sound-image relationships develop on-screen.

À propos de l'auteur :
Michael Betancourt is a theorist, historian, and artist concerned with digital technology and capitalist ideology. He is the author of The ____________ Manifesto, The History of Motion Graphics, Beyond Spatial Montage, Glitch Art in Theory and Practice , Semiotics and Title Sequences, and The Critique of Digital Capitalism. He has exhibited internationally, and his work has been translated into Chinese, French, German, Greek, Italian, Japanese, Persian, Portuguese, and Spanish, and published in journals such as The Atlantic, Make Magazine, CTheory, and Leonardo .

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