MENU   

Unplugging Popular Culture

Reconsidering Analog Technology, Materiality, and the “Digital Native

de

Type
Studies
Sujet
Mots Clés
sociology
Année d'édition
Editeur
Routledge
Collection
Routledge Research in Cultural and Media Studies
1ere édition
2018
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback172 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN
978-0-367-66371-1
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Description de l'ouvrage:
Unplugging Popular Culture showcases youth and young adult characters from film and television who defy the stereotype of the "digital native" who acts as an unquestioning devotee to screened technologies like the smartphone. In this study, unplugged tools, or non-digital tools, do not necessitate a ban on technology or a refusal to acknowledge its affordances but work instead to highlight the ability of fictional characters to move from high tech settings to low tech ones. By repurposing everyday materials, characters model the process of reusing and upcycling existing materials in innovative ways. In studying examples such as Pitch Perfect, Supernatural, Stranger Things, and Get Out, the book aims to make theories surrounding materiality apparent within popular culture and to help today’s readers reconsider stereotypes of the young people they encounter on a daily basis.

À propos de l'auteur :
K. Shannon Howard is Assistant Professor in the Department of English and Philosophy at Auburn University Montgomery, USA

Revue de Presse:
"There are a lot of books about digital natives that simplify the complex nature of their experience with culture, technology and how that defines their lives. Professor Howard skilfully illustrates the complex nature of digital natives and their love for both their own tech savvy lives and the wonders of the glitches and DIY projects that are as meaningful today as ever before." --Brian Cogan, Molloy College, USA

Voir le

> Sur un thème proche :

Feminist Visions:Tracing Feminist Epistemologies in Contemporary Film and Television

(2026)

Tracing Feminist Epistemologies in Contemporary Film and Television

Dir. et

Sujet :

Unsuitable Film and Video Audiences:Underage Viewing Memories and Practices in 1980s United Kingdom

(2026)

Underage Viewing Memories and Practices in 1980s United Kingdom

de

Sujet :

Displacement of (M)others in Twenty-First-Century US Films:Impact on Maternal Identities of

(2026)

Impact on Maternal Identities of "Other" Subjectivities

de

Sujet :

The Dressing Room:Backstage Lives and American Film

(2025)

Backstage Lives and American Film

de

Sujet :

The Sex Slave in Cinema:An Inegalitarian Spectacle

(2025)

An Inegalitarian Spectacle

de

Sujet :

Girls' Hairstories:Resilience and Sparkle in Contemporary Screen Cultures

(2025)

Resilience and Sparkle in Contemporary Screen Cultures

de

Sujet :

Free with Every Kids' Meal:The Cultural Impact of Fast Food Toys

(2025)

The Cultural Impact of Fast Food Toys

de

Sujet :

Shifting Gender Identities in Popular Culture:Essays on Representation Since 2010

(2025)

Essays on Representation Since 2010

Dir. et

Sujet :

16917 livres recensés   •   (c)2024-2026 cinemabooks.info   •  
Les livres en français sont sur www.livres-cinema.info