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Industrial Networks and Cinemas of India

Shooting Stars, Shifting Geographies and Multiplying Media

Edited by and

Type
Studies
Subject
Countries
Keywords
India, economics
Publishing date
Publisher
Routledge
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback276 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN
978-0-367-34471-9
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Book Presentation:
This volume points to the limits of models such as regional, national, and transnational, and develops ‘network’ as a conceptual category to study cinemas of India. Through grounded and interdisciplinary research, it shows how film industries located in disparate territories have not functioned as isolated units and draws attention to the industrial traffic – of filmic material, actors, performers, authors, technicians, genres, styles, sounds, expertise, languages, and capital, across trans-regional contexts -- since the inception of cinema. It excavates histories of film production, distribution and exhibition, and their connections beyond regional and national boundaries, and between places, industrial practices, and multiple media.

The chapters in this volume address a range of themes such as transgressive female figures; networks of authors and technicians; trans-regional production links and changing technologies, and new media geographies. By tracking manifold changes in the contexts of transforming media, and inter-connections between diverse industrial nodal points, this book expands the critical vocabulary in media and production studies and foregrounds new methods for examining cinema.

A generative account of industrial networks, this volume will be useful for scholars and researchers of film studies, cinema studies, media studies, production studies, media sociology, gender studies, South Asian studies, and cultural studies.

About the authors:
Monika Mehta is Associate Professor of English at State University of New York, Binghamton, USA. She is the author of Censorship and Sexuality in Bombay Cinema (2011/ 2012) and has also co-edited Pop Empires: Transnational and Diasporic Flows of Korea and India (2019).

Madhuja Mukherjee is involved with art-practice, curatorial projects, and filmmaking. She is Professor of Film Studies at Jadavpur University, Kolkata, India. Her research papers have been published in academic journals; she is the author of New Theatres Ltd.: The Emblem of Art, The Picture of Success (Pune: 2009), editor of Aural Films, Oral Cultures: Essays on Cinema from the Early Sound Era (Kolkata: 2012), Voices of the Talking Stars: The Women of Indian Cinema and Beyond (Kolkata/ Delhi: 2017), and Popular Cinema in Bengal: Genre, Stars, Public Cultures (London / New York: 2020).

See the

> From the same authors:

Popular Cinema in Bengal:Genre, Stars, Public Cultures

(2024)

Genre, Stars, Public Cultures

Dir. and

Subject: Countries >

Pop Empires:Transnational and Diasporic Flows of India and Korea

(2019)

Transnational and Diasporic Flows of India and Korea

Dir. , and

Subject: Countries >

Voices of the Talking Stars:Women of Indian Cinema and Beyond

(2017)

Women of Indian Cinema and Beyond

Dir.

Subject: Countries >

> On a related topic:

Indian Cinema:A Very Short Introduction

(2016)

A Very Short Introduction

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The Multiplex in India:A Cultural Economy of Urban Leisure

(2014)

A Cultural Economy of Urban Leisure

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From Bombay to Bollywood:The Making of a Global Media Industry

(2013)

The Making of a Global Media Industry

by

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dates.sites:Project Cinema City, Bombay/Mumbai

(2012)

Project Cinema City, Bombay/Mumbai

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Indian Cinema:The Faces Behind the Masks

(2011)

The Faces Behind the Masks

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Bollypolitics:Popular Hindi Cinema and Hindutva

(2026)

Popular Hindi Cinema and Hindutva

by

Subject: Countries >

Muslim Identity in Hindi Cinema:Poetics and Politics of Genre and Representation

(2025)

Poetics and Politics of Genre and Representation

by

Subject: Countries >

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