MENU   

Screen Stories

Emotion and the Ethics of Engagement (livre en anglais)

de

Type
Essais
Sujet
Mots Clés
écologie, ethics
Année d'édition
Editeur
Oxford University Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché328 pages
15,5 x 23,5 cm
ISBN
978-0-19-086714-0
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Description de l'ouvrage :
• Offers a new ethical theory of film and media studies
• Views communication as an extension of cultural ecology
• Provides a refreshingly accessible perspective on spectatorship

The way we communicate with each other is vital to preserving the cultural ecology, or wellbeing, of a place and time. Do we listen to each other? Do we ask the right questions? Do we speak about each other with respect or disdain? The stories that we convey on screens, or what author Carl Plantinga calls 'screen stories,' are one powerful and pervasive means by which we communicate with each other. Screen Stories: Emotion and the Ethics of Engagement argues that film and media studies needs to move toward an an approach to ethics that is more appropriate for mass consumer culture and the lives of its citizens.

Primarily concerned with the relationship between media and viewers, this book considers ethical criticism and the emotional power of screen stories that makes such criticism necessary. The content we consume—from television shows and movies to advertisements—can significantly affect our welfare on a personal and societal level, and thus, this content is subject to praise and celebration, or questioning and even condemnation. The types of screen stories that circulate contribute to the cultural ecology of a time and place; through shared attention they influence what individuals think and feel. Plantinga develops a theory of the power of screen stories to affect both individuals and cultures, asserting that we can better respond ethically to such media if we understand the sources of its influence on us.

À propos de l'auteur :
Carl Plantinga, Professor of Film and Media, Calvin College Carl Plantinga is Professor of Film and Media at Calvin College. He is author or co-editor of five books on topics ranging from the documentary to the philosophy of film to the place of emotion in film viewing.

Voir le

> Du même auteur :

Screen Stories and Moral Understanding:Interdisciplinary Perspectives

(2023)

Interdisciplinary Perspectives

de

Sujet :

Moving Viewers:American Film and the Spectator's Experience

(2009)

American Film and the Spectator's Experience

de

Sujet :

Passionate Views:Film, Cognition, and Emotion

(1999)

Film, Cognition, and Emotion

Dir. et

Sujet :

> Sur un thème proche :

Think/Point/Shoot:Media Ethics, Technology and Global Change

(2016)

Media Ethics, Technology and Global Change

Dir. , et

Sujet :

Ecological And Environmental Turns:(Re)mapping China's Sociocultural Landscape through Ecocinema

(2025)

(Re)mapping China's Sociocultural Landscape through Ecocinema

de

Sujet : Pays >

Elemental World Cinema:Cinematic Entanglements of Earth, Fire, Water and Air

(2025)

Cinematic Entanglements of Earth, Fire, Water and Air

Dir. et

Sujet :

Indigenous Ecocinema:Decolonizing Media Environments

(2024)

Decolonizing Media Environments

de

Sujet :

Negative Life:The Cinema of Extinction

(2024)

The Cinema of Extinction

de et

Sujet :

Nuclear Futures in the Post-Fukushima Age:Literature, Film, and Performance from Germany and Japan

(2024)

Literature, Film, and Performance from Germany and Japan

Dir. et

Sujet :

16099 livres recensés   •   (c)2024-2026 cinemabooks.info   •  
Les livres en français sont sur www.livres-cinema.info