MENU   

Traditions in World Cinema

(livre en anglais)

Sous la direction de , et

Type
Etudes
Sujet
Pays
Mots Clés
cinémas du monde, cultures nationales, aspects sociaux
Année d'édition
Editeur
Rutgers University Press
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Broché288 pages
16 x 24 cm
ISBN-10
ISBN-13
0-8135-3874-2
978-0-8135-3874-7
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Description de l'ouvrage :
Traditions in World Cinema brings together a colorful and wide ranging collection of world cinematic traditions—national, regional, and global—all of which are in need of introduction, investigation and, in some cases, critical reassessment. The movements described range from well-known traditions such as German expressionism, Italian neorealism, French, British, and Czech new wave, and new Hollywood cinema to those of emerging significance, such as Danish Dogma, postcommunist cinema, Brazilian post–Cinema Novo, new Argentine cinema, pre-independence African film traditions, Israeli persecution films, new Iranian cinema, Hindi film songs, Chinese wenyi pian melodrama, Japanese horror, and global found-footage cinema.The essays, all written by recognized experts in the field, are jargon free and accessible to both general readers and students. In addition, each chapter is followed by a list of suggested films and readings, offering readers pathways to further viewing and study.

Bringing fresh insights to those movements that have provided significant and noteworthy alternatives to Hollywood, this book is an essential introduction to the rich diversity of world cinema.

À propos des auteurs :
LINDA BADLEY is Professor of English and Film Studies at Middle Tennessee State University. She is the author of Film, Horror, and the Body Fantastic (1995), Writing Horror and the Body (1996), and Lars von Trier (2010), and the co-editor of Traditions in World Cinema (2006). R. BARTON PALMER is the Calhoun Lemon Professor of Literature at Clemson University, where he directs the film studies program. He is the author, editor, or general editor of many books including Hollywood’s Dark Cinema: The American Film Noir (1994), After Hitchcock: Influence, Imitation, and Intertextuality (2006), and A Little Solitaire: John Frankenheimer and American Film (2011). STEVEN JAY SCHNEIDER is an Adjunct Lecturer in the Department of Media Culture at the City University of New York.

Revue de Presse :
Traditions in World Cinema takes sophisticated and wide-ranging approach… This collection contains plenty of useful and informative material [and] several chapters throw light on neglected corners of cinematic history. — Times Literary Supplement

Voir le

Edition précédente

Traditions in World Cinema

> Des mêmes auteurs :

Rule, Britannia!:The Biopic and British National Identity

(2019)

The Biopic and British National Identity

Dir. et

Sujet : Pays >

Invented Lives, Imagined Communities:The Biopic and American National Identity

(2017)

The Biopic and American National Identity

Dir. et

Sujet : Pays >

Indie Reframed:Women's Filmmaking and Contemporary American Independent Cinema

(2016)

Women's Filmmaking and Contemporary American Independent Cinema

Dir. , et

Sujet : Genre >

Shot on Location:Postwar American Cinema and the Exploration of Real Place

(2016)

Postwar American Cinema and the Exploration of Real Place

de

Sujet : Technique >

Thinking in the Dark:Cinema, Theory, Practice

(2015)

Cinema, Theory, Practice

Dir. et

Sujet :

Larger Than Life:Movie Stars of the 1950s

(2010)

Movie Stars of the 1950s

Dir.

Sujet : Les Films >

Hollywood's Tennessee:The Williams Films and Postwar America

(2009)

The Williams Films and Postwar America

de et

Sujet : Personnalité >

After Hitchcock:Influence, Imitation, And Intertextuality

(2006)

Influence, Imitation, And Intertextuality

Dir. et

Sujet : Réalisateur >

Horror Film and Psychoanalysis:Freud's Worst Nightmare

(2004)

Freud's Worst Nightmare

Dir.

Sujet : Genre >

Underground U.S.A.:Filmmaking Beyond the Hollywood Canon

(2003)

Filmmaking Beyond the Hollywood Canon

Dir. et

Sujet : Pays >

Joseph L. Mankiewicz:Critical Essays and Guide to Resources With Annotated Bibliography and Filmography

(2001)

Critical Essays and Guide to Resources With Annotated Bibliography and Filmography

de et

Sujet : Réalisateur >

> Sur un thème proche :

16099 livres recensés   •   (c)2024-2026 cinemabooks.info   •  
Les livres en français sont sur www.livres-cinema.info