Les livres en français sont sur www.livres-cinema.info
MENU   

Film Music

A Very Short Introduction

de Kathryn Kalinak

Type
Didactic
Sujet
TechniqueMusic
Mots Clés
music
Année d'édition
2023
Editeur
Oxford University Press
Collection
Very Short Introductions
2nd edition
1ere édition
2010
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback • 176 pages
4 ¼ x 7 inches (11 x 17.5 cm)
ISBN
978-0-19-762803-4
Appréciation
pas d'appréciation (0 vote)

Moyenne des votes : pas d'appréciation

0 vote 1 étoile = On peut s'en passer
0 vote 2 étoiles = Bon livre
0 vote 3 étoiles = Excellent livre
0 vote 4 étoiles = Unique / une référence

Votre vote : -

Signaler des informations incorrectes ou incomplètes

Description de l'ouvrage:
• Takes a global perspective on film music, opening out the history, theory, and criticism of film music beyond Hollywood
• Shines the spotlight on under-represented groups in film composing, such as women and minorities, across film history
• Offers expert insights into oft-neglected silent films and their scores
• Gives a behind-the-scenes look at the process of film composition and how composers interact with other professionals

The rich and deeply moving sounds of film music are as old as cinema. The first projected moving images were accompanied by music through a variety of performers—from single piano players to small orchestras—that brought images to life. Film music has since become its own industry, an aesthetic platform for expressing creative visions, and a commercial vehicle for growing musical stars of all varieties.

In this Very Short Introduction, Kathryn Kalinak takes readers behind the scenes to understand both the practical aspects of film music—what it is and how it is composed—and the theories that have been developed to explain why film music works. This accessible book not only entertains with the fascinating stories of the composers and performers who have shaped film music across the globe but also gives readers a broad sense of the key questions in film music studies today. The updated second edition includes the music from film industries in Africa, Asia and South Asia, and Latin America, and focuses on previously under-represented film musicians, in particular women and minority composers.

À propos de l'auteur :
Kathryn Kalinak, Professor of Film Studies, Rhode Island College Kathryn Kalinak is Professor of Film Studies, Rhode Island College. She is the author of numerous books on film music, including Settling the Score: Music and the Classical Hollywood Film (1992); How the West Was Sung: Music in the Westerns of John Ford (2007); Film Music: A Very Short Introduction (2010), translated into multiple languages, and Richard Hageman: From Holland to Hollywood (2020, co-authored with Nico de Villiers and Asing Walthaus).

Voir le site internet de l'éditeur Oxford University Press

> Livres ayant un titre identique ou proche :

Film Music:The Basics

Film Music (2023)

The Basics

de Kenneth Lampl

Sujet : Technique > Music

Film Music:An Introduction in 11 Takes

Film Music (2021)

An Introduction in 11 Takes

de John Haines

Sujet : Technique > Music

Film Music:A History

Film Music (2008)

A History

de James Wierzbicki

Sujet : Technique > Music

Film Music:Critical Approaches

Film Music (2001)

Critical Approaches

de Richard J. Hand et Jay McRoy

Sujet : Technique > Music

> Du même auteur :

Sound:Dialogue, Music, and Effects

Sound (2015)

Dialogue, Music, and Effects

Dir. Kathryn Kalinak

Sujet : Technique > Sound

Music in the Western:Notes From the Frontier

Music in the Western (2011)

Notes From the Frontier

de Kathryn Kalinak

Sujet : Genre > Western

How the West Was Sung:Music in the Westerns of John Ford

How the West Was Sung (2007)

Music in the Westerns of John Ford

de Kathryn Kalinak

Sujet : Director > John Ford

Settling the Score:Music and the Classical Hollywood Film

Settling the Score (1992)

Music and the Classical Hollywood Film

de Kathryn Kalinak

Sujet : Technique > Music

> Sur un thème proche :

Haunted Soundtracks:Audiovisual Cultures of Memory, Landscape, and Sound

Haunted Soundtracks (2025)

Audiovisual Cultures of Memory, Landscape, and Sound

Dir. Kevin J. Donnelly et Aimee Mollaghan

Sujet : Technique > Music

Music for Superheroes:Film and Television Scores Since 1940

Music for Superheroes (2025)

Film and Television Scores Since 1940

de Randall D. Larson

Sujet : Technique > Music

Movies to Listen To:Great Scores and Their Composers

Movies to Listen To (2025)

Great Scores and Their Composers

de Megan E. Goldstein et Pamela A. Marx

Sujet : Technique > Music

Anonymous Sounds:Library Music and Screen Cultures in the 1960s and 1970s

Anonymous Sounds (2025)

Library Music and Screen Cultures in the 1960s and 1970s

Dir. Nessa Johnston

Sujet : Technique > Music

Freak Scenes:American Indie Cinema and Indie Music Cultures

Freak Scenes (2024)

American Indie Cinema and Indie Music Cultures

de Jamie Sexton

Sujet : Technique > Music

Music Films:Documentaries, Concert Films and Other Cinematic Representations of Popular Music

Music Films (2024)

Documentaries, Concert Films and Other Cinematic Representations of Popular Music

de Neil Fox

Sujet : Technique > Music

The Music of Space:Scoring the Cosmos in Film and Television

The Music of Space (2024)

Scoring the Cosmos in Film and Television

de Chris Carberry

Sujet : Technique > Music

Film Music:The Basics

Film Music (2023)

The Basics

de Kenneth Lampl

Sujet : Technique > Music

The Synergy of Music and Image in Audiovisual Culture:Half-Heard Sounds and Peripheral Visions

The Synergy of Music and Image in Audiovisual Culture (2023)

Half-Heard Sounds and Peripheral Visions

de K.J. Donnelly

Sujet : Technique > Music

12690 livres recensés   •   (c)2024-2025 cinemabooks.info   •