Film Music

A Very Short Introduction

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by Kathryn Kalinak

Type

Didactic

Subject

Technique > Music

Keywords

music

Publishing date

2023

Publisher

Oxford University Press

Collection

Very Short Introductions
2nd edition

1st publishing

2010

Language

English

Relative size

Physical desc.

Paperback • 176 pages
4 ¼ x 7 inches (11 x 17.5 cm)

ISBN

978-0-19-762803-4

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Book Presentation:
• Takes a global perspective on film music, opening out the history, theory, and criticism of film music beyond Hollywood
• Shines the spotlight on under-represented groups in film composing, such as women and minorities, across film history
• Offers expert insights into oft-neglected silent films and their scores
• Gives a behind-the-scenes look at the process of film composition and how composers interact with other professionals

The rich and deeply moving sounds of film music are as old as cinema. The first projected moving images were accompanied by music through a variety of performers—from single piano players to small orchestras—that brought images to life. Film music has since become its own industry, an aesthetic platform for expressing creative visions, and a commercial vehicle for growing musical stars of all varieties.

In this Very Short Introduction, Kathryn Kalinak takes readers behind the scenes to understand both the practical aspects of film music—what it is and how it is composed—and the theories that have been developed to explain why film music works. This accessible book not only entertains with the fascinating stories of the composers and performers who have shaped film music across the globe but also gives readers a broad sense of the key questions in film music studies today. The updated second edition includes the music from film industries in Africa, Asia and South Asia, and Latin America, and focuses on previously under-represented film musicians, in particular women and minority composers.

About the Author:
Kathryn Kalinak, Professor of Film Studies, Rhode Island College Kathryn Kalinak is Professor of Film Studies, Rhode Island College. She is the author of numerous books on film music, including Settling the Score: Music and the Classical Hollywood Film (1992); How the West Was Sung: Music in the Westerns of John Ford (2007); Film Music: A Very Short Introduction (2010), translated into multiple languages, and Richard Hageman: From Holland to Hollywood (2020, co-authored with Nico de Villiers and Asing Walthaus).

See the publisher website: Oxford University Press