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Scene-writing for Film and TV

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Type
Didactic
Sujet
Technique
Mots Clés
scriptwriting, students
Année d'édition
Editeur
Routledge
Collection
A Focal Press Book
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback300 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN
978-1-032-27755-4
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Description de l'ouvrage:
Focusing on an integral aspect of screenplays, this book takes students and writers at all levels through the process of understanding and writing better scenes. It interrogates the functions of a scene and how writers can then apply this knowledge to their own film and television scripts.

Author Simon van der Borgh familiarises the screenwriter with the fundamental aspects of a scene, looking at what a scene is, the characters involved, the action depicted, dialogue, setting, and style. Featuring original scenes which show the practice of scene-writing and the application of ideas and approaches alongside in-depth analysis and critique, the book explores the process and approach to scene-writing and how to learn and improve methods of telling dynamic, engaging and moving stories of diverse types and formats on screen. With a strong focus on practice-based advice, the book includes exercises at every step to enable writers to build on and extend their knowledge and skills with confidence and clarity chapter by chapter.

Exploring the film and TV scene with its different types, forms, and functions, it is the ideal book for aspiring screenwriters and students of screenwriting and filmmaking at all levels, as well as directors, producers and actors looking to better understand the contextual and sub-textual motivations intended by the writer.

À propos de l'auteur :
Simon van der Borgh has worked globally for 40 years, gaining an international reputation as a produced screenwriter, screenwriting teacher, and script consultant. He has delivered his practical scene-writing lectures, masterclasses, and workshops to thousands of students, screenwriters, and filmmakers worldwide. Many of the ideas in this book were developed during his time as Senior Lecturer in Screenwriting at the University of York.

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