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Exploring Film and Christianity

Movement as Immobility

Edited by and

Type
Studies
Subject
Keywords
religion, spirituality, sociology
Publishing date
Publisher
Routledge
Collection
Routledge Studies in Religion and Film
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover254 pages
6 x 9 inches (15 x 23 cm)
ISBN
978-1-032-15956-0
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Book Presentation:
This book examines the connections between film and Christianity, considering how films express and depict Christian faith and spirituality and provide experiences associated with it. The notion of movement as immobility (from Simone Weil) is employed to describe film and its images in motion. Its movements can reconnect us with the movements of the world, those motions in which a mysterious sense of order, what Weil calls "immobility," arises. Film is understood as a privileged form to access inscrutable spiritual (in)visibilities that can be linked with Christian concepts and practices. The chapters in Exploring Film and Christianity offer new studies of famous directors such as Andrei Tarkovsky and Robert Bresson combined with analyses of recent notable films, including Terrence Malick’s Knight of Cups, Martin Scorsese’s Silence, and Denis Villeneuve’s Blade Runner 2049. Organized around the productive topics of theory, expression, depiction and experience, this volume is a valuable contribution to interdisciplinary research on film and Christianity.

About the authors:
Rita Benis is a Researcher at the Center for Comparative Studies at the University of Lisbon, Portugal.
Sérgio Dias Branco is Associate Professor of Film Studies at the University of Coimbra, Portugal.

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