Screening Text
Critical Perspectives on Film Adaptation
Edited by Shannon Wells-Lassagne and Ariane Hudelet
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Book Presentation:
Rather than limiting the cinema, as certain French New Wave critics feared, adaptation has encouraged new inspiration to explore the possibilities of the intersection of text and film. This collection of essays covers various aspects of adaptation studies—questions of genre and myth, race and gender, readaptation, and pedagogical and practical approaches.
About the authors:
Shannon Wells-Lassagne is an associate professor at the Université de Bretagne Sud in Lorient, France.
Ariane Hudelet is an associate professor at Université de Paris-Diderot in France.
> From the same authors:
Exploring Seriality on Screen (2022)
Audiovisual Narratives in Film and Television
Dir. Ariane Hudelet and Anne Crémieux
Subject: Theory
Adapting Margaret Atwood (2021)
The Handmaid's Tale and Beyond
Dir. Shannon Wells-Lassagne and Fiona McMahon
Subject: Technique > Adaptation
Adapting Endings from Book to Screen (2021)
Last Pages, Last Shots
Dir. Armelle Parey and Shannon Wells-Lassagne
Subject: Technique > Adaptation
The Cinematic Jane Austen (2009)
Essays on the Filmic Sensibility of the Novels
by David Monaghan, Ariane Hudelet and John Wiltshire
Subject: Technique > Adaptation
> On a related topic:
The History of German Literature on Film (2025)
Subject: Technique > Adaptation
Film Adaptations of Russian Classics (2024)
Dialogism and Authorship
Dir. Alexandra Smith and Olga Sobolev
Subject: Technique > Adaptation
Retelling Jane Austen (2024)
Essays on Recent Adaptations and Derivative Works
Dir. Tammy Powley and April Van Camp
Subject: Technique > Adaptation
English Classics in Audiovisual Translation (2024)
Dir. Irene Ranzato and Luca Valleriani
Subject: Technique > Adaptation
Hemingway and Film (2024)
Reflections on Teaching, Reading, and Understanding
Dir. Cam Cobb and Marc K. Dudley
Subject: Technique > Adaptation
Uncanny Fidelity (2023)
Recognizing Shakespeare in Twenty-First-Century Film and Television
by James Newlin
Subject: Technique > Adaptation
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