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Second Takes

Remaking Film, Remaking America

de Andrew Repasky McElhinney

Type
Studies
Sujet
General
Mots Clés
remake, United States, ideology
Année d'édition
2013
Editeur
McFarland & Co
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback • 244 pages
6 x 9 inches (15 x 23 cm)
ISBN
978-0-7864-7761-6
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Description de l'ouvrage:
Second Takes presents the history of English language cinema by focusing on cinematic remakes and on how cinema has been replaced by new forms of “media.” Remakes, with their innate plurality, offer the most substance for concentrated cultural analysis of how movies reflect and shape American culture.

Analyzing the archetypes that recur in this culture reveals how movies are an increasingly dangerous surrogate for the actual.

Close readings are presented of such works as popular favorites as Cronenberg’s Crash, Disney’s The Parent Trap, Ferrara’s Bad Lieutenant, Hitchcock’s Psycho, Kubrick’s A Clockwork Orange, Lynch’s Twin Peaks (the film) and Welles’ The Magnificent Ambersons, while unearthing pictures ripe for rediscovery such as One More Tomorrow, Strange Illusion and Andy Warhol’s Vinyl.

Instructors considering this book for use in a course may request an examination copy here.

À propos de l'auteur :
Feature film director Andrew Repasky McElhinney is also an author, theater director, installation artist, repertory film programmer and educator. He currently teaches at Rutgers–The State University of New Jersey.

Voir le site internet de l'éditeur McFarland & Co

> Livres ayant un titre identique ou proche :

Second Takes:A Fresh Look at Classic World Cinema: Essays

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A Fresh Look at Classic World Cinema: Essays

de Naser Mojtahed

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Second Takes:Critical Approaches to the Film Sequel

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Critical Approaches to the Film Sequel

Dir. Carolyn Jess-Cooke et Constantine Verevis

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> Sur un thème proche :

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