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A History of Hollywood Reissues, 1914–2014

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Type
Studies
Sujet
Mots Clés
economics, distribution, reissue
Année d'édition
Editeur
McFarland & Co
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback492 pages
7 x 10 inches (18 x 25.5 cm)
ISBN
978-0-7864-9813-0
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Description de l'ouvrage:
In the Silent Era, film reissues were a battle between rival studios—every Mary Pickford new release in 1914 was met with a Pickford re-release. For 50 years after the Silent Era, reissues were a battle between the studios, who considered old movies “found money,” and cinema owners, who often saw audiences reject former box office hits. In the mid–1960s, the return of The Bridge on the River Kwai (1957)—the second biggest reissue of all time—altered industry perceptions, and James Bond double features pushed the revival market to new heights. In the digital age, reissues have continued to confound the critics.

This is the untold hundred-year story of how old movies saved new Hollywood. Covering the booms and busts of a recycling business that became its own industry, the author describes how the likes of Charlie Chaplin, Humphrey Bogart and Alfred Hitchcock won over new generations of audiences, and explores the lasting appeal of films like Napoléon (1927), Gone with the Wind (1939), The Rocky Horror Show (1975) and Blade Runner (1982).

À propos de l'auteur :
Brian Hannan writes a regular column for Cinema Retro magazine and gives lectures on film at Strathclyde University in Glasgow, Scotland.

Revue de Presse:
"a lively look back, packed with scads of incredible ads and posters that illustrate a peculiar sort of Tinseltown ballyhoo"—Flick Attack.

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