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Luis Bunuel

New Readings

de et

Type
Studies
Sujet
Director
Mots Clés
Luis Buñuel, analysis
Année d'édition
Editeur
BFI Publishing
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback212 pages
6 x 9 ¼ inches (15 x 23.5 cm)
ISBN-10
ISBN-13
1-84457-003-7
978-1-84457-003-4
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Description de l'ouvrage:
This text ranges widely over key films and moments from stages of Luis Bunuel's career. It locates and re-appraises Bunuel's films with particular emphasis on the national cinemas and varied cultures with which he was identified.

Luis Buñuel (1900-83) was one of the world's great film-makers. Always controversial, his first film, Un Chien andalou (1928), which he referred to as a 'call to murder', was a savage Surrealist experiment. L'Age d'or (1930), his second, was banned in Paris after its initial screening, which had led to violent disturbances. Thereafter, his films continued to challenge, provoke and subvert social conventions in their searching analyses of human desire.
Luis Buñuel: New Readings ranges widely over key films and moments from all stages of the director's career: the early years in Spain and France, the middle period in Mexico and the USA, and the return to Europe, where he made late masterpieces like Belle de Jour (1966) and Le Charme discret de la bourgeoisie (1972).
Twenty years after his death, the time is ripe for a re-evaluation of Buñuel's legacy. Through theoretically informed discussions of individual films and dominant tendencies, as well as through more biographically orientated perspectives (including newly discovered correspondence), this book locates and re-appraises Buñuel's films with particular emphasis on the national cinemas and varied cultures with which he was identified. These new readings show that Buñuel's significance and impact remain undiminished by the passage of time.

À propos des auteurs :
Isabel Santaolalla is Professor of Spanish and Film Studies at the University of Roehampton.

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