Cinema II
The Time-Image
Average rating:
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
Your rating: -
Book Presentation:
Gilles Deleuze was one of the most influential figures in twentieth-century philosophy, whose master-works, Difference and Repetition and – with Felix Guattari - A Thousand Plateaus and Anti-Oedipus have become one of the most widely-influential bodies of work in contemporary thought.
Cinema II is Deleuze’s second work on cinema, completing the reassessment of the art form begun in Cinema I. Influenced by the philosophy of Henri Bergson, Deleuze here offers a compelling analysis of the cinematic treatment of time and memory, thought and speech. The work draws on examples from major film makers, including Federico Fellini, Alfred Hitchcock and Orson Welles, among many others.
About the Author:
Gilles Deleuze (1925-1995) was one of the key figures in poststructuralism, and one of the most influential philosophers of the twentieth century. His major works include, with Felix Guattari, A Thousand Plateaus and Anti-Oedipus.
See the publisher website: Bloomsbury Publishing
Previous edition
Cinema 2 (1989)
The Time-Image
Publisher: University of Minnesota Press
(previous edition)
Subject: Theory
> From the same author:
> On a related topic:
Deleuze's Cinema Books (2016)
Three Introductions to the Taxonomy of Images
by David Deamer
Subject: Theory
V. F. Perkins on Movies (2020)
Collected Shorter Film Criticism
Dir. V. F. Perkins and Douglas Pye
Subject: Theory
New Takes on Film and Imagination (2020)
Paragraph, Volume 43, Issue 3
Dir. Sarah Cooper
Subject: Theory
Thinking in the Dark (2015)
Cinema, Theory, Practice
Dir. Murray Pomerance and R. Barton Palmer
Subject: Theory