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Imitations of Life

A Reader on Film & Television Melodrama

Edited by

Type
Essays
Subject
Genre
Keywords
melodrama
Publishing date
Publisher
Wayne State University Press
Collection
Contemporary Film and Television Series
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback624 pages
6 x 9 inches (15.5 x 23 cm)
ISBN-10
ISBN-13
0-8143-2065-1
978-0-8143-2065-5
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Book Presentation:
This collection of important essays examines melodrama from a variety of perspectives—chronological, theoretical, international, and feminist.

Marcia Landy has gathered thirty-seven important essays on film and melodrama that have appeared in books and journals over the last two decades. In her introduction to the book, Landy explores the recent interest in the genre in relation to theoretical work in psychoanalysis and semiotics, setting the stage for the essays that follow.

The book's seven sections examine the history of melodrama, its emphasis on emotional excess, its manicheanism, and its dependence on non-verbal strategies to communicate. Essays focus on the family melodramas of the 1950s, the role of Hollywood directors and stars in the development of the genre, and melodrama in the silent films and on television. The book concludes with an exploration of the use of melodrama in European and Latin American cinema, both silent and sound.

Imitations of Life thus provides a variety of perspectives-chronological, theoretical, and international-on the genre while investigating its cultural, social, and political significance.

About the Author:
Marcia Landay is a professor of English and film studies at the University of Pittsburgh. A Ph.D. from the University of Rochester, she is the author of Facism and Film: Italian Commercial Cinema, 1930-1943 as well as articles in such journals as Film Criticism, Jump Cut, and Cinema Journal.

Press Reviews:
Significant texts on film and television melodrama from a variety of perspectives-chronological, theoretical, international, and feminist-and their sociological significance.
-Back Stage/Shoot

See the

> From the same author:

Fascism in Film:The Italian Commercial Cinema, 1931-1943

(2014)

The Italian Commercial Cinema, 1931-1943

by

Subject: Countries >

British Genres:Cinema and Society, 1930-1960

(2014)

Cinema and Society, 1930-1960

by

Subject: Countries >

The Historical Film:History and Memory in Media

(2000)

History and Memory in Media

Dir.

Subject: Genre >

The Folklore of Consensus:Theatricality in the Italian Cinema, 1930-1943

(1998)

Theatricality in the Italian Cinema, 1930-1943

by

Subject: Countries >

> On a related topic:

Melodrama:An Aesthetics of Impossibility

(2016)

An Aesthetics of Impossibility

by

Subject: Genre >

Global Melodrama:Nation, Body, and History in Contemporary Film

(2015)

Nation, Body, and History in Contemporary Film

by

Subject: Genre >

Melodrama:Genre, Style, Sensibility

(2005)

Genre, Style, Sensibility

by and

Subject: Genre >

Home is Where the Heart Is:Studies in Melodrama and the Woman's Film

(1987)

Studies in Melodrama and the Woman's Film

Dir.

Subject: Genre >

The Call of the Heart:John M. Stahl and Hollywood Melodrama

(2018)

John M. Stahl and Hollywood Melodrama

Dir. and

Subject: Director >

Victorian Melodrama in the Twenty-First Century:Jane Eyre, Twilight, and the Mode of Excess in Popular Girl Culture

(2016)

Jane Eyre, Twilight, and the Mode of Excess in Popular Girl Culture

by

Subject: One Film >

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