John Huston as Adaptor

Add to my list

Edited by Douglas McFarland and Wesley King

Type: Studies
Subject: Director > John Huston
Keywords: John Huston, adaptation
Publishing date: 2018
Publisher: State University of New York Press
Collection: SUNY series, Horizons of Cinema
1st publishing: 2017
Language: English

Relative size

Physical desc.

Paperback • 326 pages
6 ¼ x 9 ½ inches (16 x 24 cm)

ISBN

978-1-4384-6372-8

User Ratings

(0 vote)

Average rating:

0	rating	= We can do without
0	rating	= Good book
0	rating	= Excellent book
0	rating	= Unique / a reference

Your rating: -

Report incorrect or incomplete information

Book Presentation:
Argues that understanding Huston’s film adaptations of literary works is essential to understanding his oeuvre as a filmmaker.

John Huston as Adaptor makes the case that adaptation is the salient element in Huston's identity as a filmmaker and that his early and deep attraction to the experience of reading informed his approach to film adaptation. Thirty-four of Huston's thirty-seven films were adaptations of literary texts, and they stand as serious interpretations of literary works that could only be made by an astute reader of literature. Indeed, Huston asserted that a film director should be above all else a reader and that reading itself should be the intellectual and emotional basis for filmmaking.

The seventeen essays in this volume not only address Huston as an adaptor, but also offer an approach to adaptation studies that has been largely overlooked. How an adaptor reads, the works to which he is drawn, and how his literary interpretations can be brought to the screen without relegating film to a subservient role are some of the issues addressed by the contributors. An introductory chapter identifies Huston as the quintessential Hollywood adaptor and argues that his skill at adaptation is the mark of his authorial signature. The chapters that follow focus on fifteen of Huston's most important films, including The Maltese Falcon (1941), The Treasure of the Sierra Madre (1948), The African Queen (1951), The Night of the Iguana (1964), Under the Volcano (1984), and The Dead (1987), and are divided into three areas: aesthetics and textuality; history and social context; and theory and psychoanalysis. By offering a more comprehensive account of the centrality of adaptation to Huston's films, John Huston as Adaptor offers a greater understanding of Huston as a filmmaker.

About the authors:
Douglas McFarland is a retired Professor of English at Flagler College. Wesley King is Assistant Professor of English at Flagler College.

See the publisher website: State University of New York Press

See the complete filmography of John Huston on the website: IMDB ...

> On a related topic: