Whiteness at the End of the World

Race in Post-Apocalyptic Cinema

Add to my list

by David Venditto

Type: Studies
Subject: Genre > Disaster films
Keywords: disaster films, racial issues
Publishing date: 2023
Publisher: State University of New York Press
Collection: SUNY series, Horizons of Cinema
1st publishing: 2022
Language: English

Relative size

Physical desc.

Paperback • 202 pages
6 x 9 inches (15.5 x 23 cm)

ISBN

978-1-4384-8944-5

User Ratings

(0 vote)

Average rating:

0	rating	= We can do without
0	rating	= Good book
0	rating	= Excellent book
0	rating	= Unique / a reference

Your rating: -

Report incorrect or incomplete information

Book Presentation:
Examines the ways in which post-apocalyptic films express white racial anxiety.

The use of Christian apocalyptic myths has changed significantly over the centuries. Initially used by genuinely disenfranchised groups, they are used today as a response to more egalitarian treatment of minorities in American society. The apocalyptic framework allows the patriarchy to frame itself as the victim who must restore America to a past where white male power went uncontested. This kind of white anxiety over increasing minority rights frequently manifests itself in contemporary apocalyptic media, which often depicts a white male hero facing a wide array of threatening "Others." Taking a unique look at the parallels between apocalypticism and American frontier mythology, as well as conspiracy theories and the post-apocalyptic obsession with repurposed objects, Whiteness at the End of the World analyzes many well-known films from the past fifty years, from Planet of the Apes to I Am Mother. It offers unique, clearly presented insights into recurring patterns that appear in an extraordinarily ubiquitous genre that has only increased in popularity, and whose themes of racial anxiety are increasingly pertinent in our increasingly contentious political climate.

About the Author:
David Venditto is a Professor of English at Bucks County Community College.

Press Reviews:
"This book skillfully critiques the origin, meanings, and impact of apocalyptic films within the larger discourse of race in contemporary America." — CHOICE

"At the heart of this erudite and long overdue study lies a true golden nugget: that apocalyptic thought, originally intended for a group in crisis with the purpose of exhortation or consolation by means of divine authority, has been co-opted by the dominant culture—a culture that is predominantly white and male." — Frances Gateward, Howard University

See the publisher website: State University of New York Press

> On a related topic: