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Studying British Cinema

1999-2009

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Type
Studies
Sujet
Countries
Mots Clés
Great Britain, 2000s
Année d'édition
Editeur
Liverpool University Press
Collection
Studying British Cinema
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Hardcover256 pages
6 ½ x 9 ¼ inches (16.5 x 23.5 cm)
ISBN
978-1-906733-12-4
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Description de l'ouvrage:
Studying British Cinema: 1999-2009 adopts a number of approaches to popularist, mainstream, and esoteric arthouse films. The book considers the institutional and financial factors that influence U.K. film production and assesses issues of genre, representation, authorship, and social, economic, and political contexts. The growth of coproduction is considered by looking at both Aardman Animation and the Harry Potter franchise (2001 to the present). Representations of social class factor into films as diverse as Red Road (2006) and Love, Actually (2003), and developments in social realism, primarily by female directors, are examined. The revival of the British science fiction and horror film is also covered in detail, and ethnic groups and new economic migrants are viewed in two separate chapters, as well as the growth of films concerning British protagonists in Africa. One section offers a close analysis of two of the most important directors of the decade: Michael Winterbottom and Shane Meadows.

À propos de l'auteur :
John Fitzgerald teaches media and film in Leicester.

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