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Studying Indian Cinema

by

Type
Studies
Subject
Countries
Keywords
India, history of cinema
Publishing date
Publisher
Liverpool University Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover300 pages
6 ¾ x 9 ¼ inches (17 x 23.5 cm)
ISBN
978-1-906733-68-1
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Book Presentation:
This book traces the historical evolution of Indian cinema through a number of key decades. The book is made up of 14 chapters with each chapter focusing on one key film, the chosen films analysed in their wider social, political and historical context whilst a concerted engagement with various ideological strands that underpin each film is also evident. In addition to exploring the films in their wider contexts, the author analyses selected sequences through the conceptual framework common to both film and media studies. This includes a consideration of narrative, genre, representation, audience and mise-en-scene. The case studies run chronologically from Awaara (The Vagabond, 1951) to The Elements Trilogy: Water (2005) and include films by such key figures as Satyajit Ray (The Lonely Wife), Ritwick Ghatak (Cloud Capped Star), Yash Chopra (The Wall) and Mira Nair (Salaam Bombay ).

About the Author:
Omar Ahmed is a UK-based scholar and the author of Studying Indian Cinema (Auteur, 2014).

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