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Physical Characteristics of Early Films as Aids to Identification

New Expanded Edition

by

Type
Studies
Subject
Keywords
preservation
Publishing date
Publisher
FIAF
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback336 pages
6 ½ x 9 inches (16.5 x 23 cm)
ISBN
978-2-9600296-9-7
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Book Presentation:
Any archivists who have held a piece of film in their hands, wondering how to go about identifying it, recognize the true value of film preservationist Harold Brown's work. In 1967 Brown delivered a pioneering lecture on the identification of early films at the annual Congress of the International Federation of Film Archives (FIAF) in East Berlin. Years of working with Britain's National Film Archive collections, and the close examination of thousands of nitrate prints of the silent period, made Brown a leading authority on early film identification, and an unsurpassed model of methodological consciousness in the archival field. In 1990, FIAF published Brown's Physical Characteristics of Early Films as Aids to Identification, an updated version and a continuation of his 1967 lecture. This publication has long been archivists' trusted companion, constituting a concentrated encyclopedia on all the information that can be discovered or verified through aspects of the film other than the actual projected image – such as perforation shapes; embossed and punched marks; stock manufacturers' and producers' edge marks; frame characteristics; title styles; and production serial numbers. It also included essays on key individual production companies of the silent era. Over the last 30 years, this manual – a basic typewritten 100-page volume (including 20 pages of black & white illustrations), with its easily recognizable red cover – has been an invaluable reference for film archivists and scholars. However, as Brown himself acknowledged in the 1990 edition, the manual was far from definitive. Camille Blot-Wellens, the editor of this new, expanded edition of Brown's 1990 book, belongs to the new generation of researchers who have used Physical Characteristics extensively in their work and have gathered considerable new information on the subject. This new edition is the result of a project she initiated in 2014 with FIAF's support. Brown's original text is now augmented with new original research on key film manufacturers and producers by Camille Bolt-Wellens and other leading archivists and researchers in the field. Richly illustrated (the book contains over 900 images, including 125 in full color), this new 336-page edition of Harold Brown's seminal manual will be welcomed by many, and will no doubt become a must-have working tool for many in the film archiving and academic fields.

About the Author:
Camille Blot-Wellens is an independent film historian, researcher, and archivist. She started collaborating with film archives in 2000 on identification, research, restoration, and training projects, and more notably worked for the Filmoteca Española (2000-2007), the Cinémathèque française (2007-2011), and the Svenska Filminstitutet (2016-2019). Specializing in Early Cinema, she is the author of two books and numerous articles. She is a member of the FIAF Technical Commission and on the Board of Domitor, and currently teaches at Université Paris 8 and the Université de Lausanne. In 2018, she was the recipient of the Jean Mitry Award and the Outstanding Achievement Award for Film Preservation.

Press Reviews:
"For Camille Blot-Wellens, herself a noted archivist, editing this handsome 'new edition' of a foundational text has clearly been an ambitious labour of love."
-Ian Christie - Birkbeck, University of London, London, UK, Early Popular Visual Culture

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