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The Techne of Giving

Cinema and the Generous Form of Life

by Timothy C. Campbell

Type
Essays
Subject
Theory
Keywords
philosophy, Italian cinema
Publishing date
2017
Publisher
Fordham University Press
Collection
Commonalities
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover • 240 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN
978-0-8232-7325-6
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Book Presentation:
Over the last five years, corporations and individuals have given more money, more often, to charitable organizations than ever before. What could possibly be the downside to inhabiting a golden age of gift-giving? That question lies at the heart of Timothy Campbell’s account of contemporary giving and its social forms. In a milieu where gift-giving dominates, nearly everything given and received becomes the subject of a calculus—gifts from God, from benefactors, from those who have. Is there another way to conceive of generosity? What would giving and receiving without gifts look like?

A lucid and imaginative intervention in both European philosophy and film theory, The Techne of Giving investigates how we hold the objects of daily life—indeed, how we hold ourselves—in relation to neoliberal forms of gift-giving. Even as instrumentalism permeates giving, Campbell articulates a resistant techne locatable in forms of generosity that fail to coincide with biopower’s assertion that the only gifts that count are those given and received. Moving between visual studies, Winnicottian psychoanalysis, Foucauldian biopower, and apparatus theory, Campbell makes a case for how to give and receive without giving gifts. In the conversation between political philosophy and classic Italian films by Visconti, Rossellini, and Antonioni, the potential emerges of a generous form of life that can cross between the visible and invisible, the fated and the free.

About the Author:
Timothy C. Campbell is a professor of Italian at Cornell University.

Press Reviews:
"A very original, extremely well-researched piece of work that combines theoretical sophistication with depth of literary, cultural, and cinematic knowledge."---—Rosi Braidotti, Utrecht University

See the publisher website: Fordham University Press

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