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The Red and the White
The Cinema of People's Poland
Edited by Paul Coates
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Book Presentation:
The Red and the White: The Cinema of People's Poland takes a fascinating look at the history of Polish cinema from 1945 to 1989. Exploring how Poland was affected by the political, social and cultural upheavals throughout those eras. Poland has produced a number of successful and highly regarded directors. Paul Coates pays particular attention to the work of Krzysztof Kieslowski and Andrzej Wajda while placing them within the wider context of Polish cinema. This volume includes unique primary archival research into the role of state-sponsored censorship and coverage of Polish-Jewish representations in film. Films discussed include Europa, Europa, Eroica, Ashes and Diamonds, and Decalogue Eight.
About the Author:
Paul Coates is reader and director of the film studies department at the University of Aberdeen. His books include, The Story of the Lost Reflection: The Alienation of the Image in Western and Polish Cinema (1985) and Lucid Dreams: the Films of Krzysztof Kieslowski (1999).
Press Reviews:
The Red and the White certainly offers a rich read for cinephiles, but it is also an ambitious attempt to understand the still underexplored psychological legacy of communism in Poland. Film Comment
Coates provides for the first time in English a theoretically sophisticated overview of the cinema of People's Poland.... not merely an indispensable work, but a landmark in Polish Cinema Studies. Slavic and East European Journal
See the publisher website: Wallflower Press
> From the same author:
The Gorgon's Gaze (1991)
German Cinema, Expressionism, and the Image of Horror
by Paul Coates, William Rothman and Dudley Andrew
> On a related topic:
Masculinities in Polish, Czech and Slovak Cinema (2010)
Black Peters and Men of Marble
Hope Is of a Different Color (2022)
From the Global South to the Lodz Film School
Dir. Magda Lipska and Monika Talarczyk
Poland Daily (2022)
Economy, Work, Consumption and Social Class in Polish Cinema
The Struggle for Form (2014)
Perspectives on Polish Avant-Garde Film, 1916–1989
Dir. Kamila Kuc and Michael O'Pray
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