Hollywood and the Culture Elite

How the Movies Became American

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by Peter Decherney

Type

Studies

Subject

History of Cinema

Keywords

sociology, United States, ideology, history of cinema

Publishing date

2005

Publisher

Columbia University Press

Collection

Film and Culture

Language

English

Relative size

Physical desc.

Hardcover • 269 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)

ISBN-10
ISBN-13

0-231-13376-6
978-0-231-13376-0

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Book Presentation:
As Americans flocked to the movies during the first part of the twentieth century, the guardians of culture grew worried about their diminishing influence on American art, education, and American identity itself. Meanwhile, Hollywood studio heads were eager to stabilize their industry, solidify their place in mainstream society, and expand their new but tenuous hold on American popular culture.

Peter Decherney explores how these needs coalesced and led to the development of a symbiotic relationship between the film industry and America's stewards of high culture. Formed during Hollywood's Golden Age (1915-1960), this unlikely partnership ultimately insured prominent places in American culture for both the movie industry and elite cultural institutions. It redefined Hollywood as an ideal American industry; it made movies an art form instead of simply entertainment for the masses; and it made moviegoing a vital civic institution. For their part, museums and universities used films to maintain their position as quintessential American institutions.

As the book delves into the ties between Hollywood bigwigs and various cultural leaders, an intriguing cast of characters emerges, including the poet Vachel Lindsay, film producers Adolph Zukor and Joseph Kennedy, Hollywood flak and censor extraordinaire Will Hays, and philanthropist turned politician Nelson Rockefeller. Decherney considers how Columbia University's film studies program helped integrate Jewish students into American culture while also professionalizing screenwriting. He examines MoMA's career-savvy film curator Iris Barry, a British feminist once dedicated to stemming the tide of U.S. cultural imperialism, who ultimately worked with Hollywood and the U.S. government to fight fascism and communism and promote American values abroad. Other chapters explore Vachel Lindsay's progressive vision of movies as reinvigorating the public sphere through film libraries and museums; the promotion of movie connoisseurship at Harvard and other universities; and how the heir of a railroad magnate bankrolled the American avant-garde film movement.

Amid ethnic diversity, the rise of mass entertainment, world war, and the global spread of American culture, Hollywood and cultural institutions worked together to insure their own survival and profitability and to provide a coherent, though shifting, American identity.

About the Author:
Peter Decherney is assistant professor of cinema studies and English at the University of Pennsylvania.

Press Reviews:
It is in the author's discussion of these Cold War happenings that the narrative becomes almost cloak-and-dagger. Publishers Weekly

A clearly written and well-researched historical work that makes a strong contribution to film scholarship. Heidi Kenaga, The Moving Image

A frequently profound ethical query into the costs of patronage. Kevin Hagopian, Film Quarterly

Thought-provoking. The American Historical Review

Decherney does an excellent job exploring the individual players… and exposing how our current cinematic institutions and assumptions regarding film were founded. Erin Hills-Parks, Film & History

A very significant work that demands attentive and critical engagement. Tom Crosbie, Screening the Past

See the publisher website: Columbia University Press