MENU   

Movie-Made America

A Cultural History of American Movies

by Robert Sklar

Type
Studies
Subject
CountriesUnited States
Keywords
United States, history of cinema, sociology
Publishing date
1994
Publisher
Random House
1st publishing
1975
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 432 pages
6 x 9 inches (15 x 23 cm)
ISBN-10
ISBN-13
0-679-75549-7
978-0-679-75549-4
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Book Presentation:
Hailed as the definitive work upon its original publication in 1975 and now extensively revised and updated by the author, this vastly absorbing and richly illustrated book examines film as an art form, technological innovation, big business, and shaper of American values.
Ever since Edison's peep shows first captivated urban audiences, film has had a revolutionary impact on American society, transforming culture from the bottom up, radically revising attitudes toward pleasure and sexuality, and at the same time, cementing the myth of the American dream. No book has measured film's impact more clearly or comprehensively than Movie-Made America.
This vastly readable and richly illustrated volume examines film as art form, technological innovation, big business, and cultural bellwether. It takes in stars from Douglas Fairbanks to Sly Stallone; auteurs from D. W. Griffith to Martin Scorsese and Spike Lee; and genres from the screwball comedy of the 1930s to the "hard body" movies of the 1980s to the independents films of the 1990s.
Combining panoramic sweep with detailed commentaries on hundreds of individual films, Movie-Made America is a must for any motion picture enthusiast.

About the Author:
Robert Sklar was born in 1936 and was educated in the public schools of Long Beach, California, and at Princeton University. After working as a reporter for the Los Angeles Times, he received his Ph.D. in the history of American civilization from Harvard University of 1965. He was a professor of cinema at New York University’s Tisch School of the Arts for more than thirty years, served on the selection committee of the New York Film Festival, and was a member of the National Film Preservation Board. Mr. Sklar's other books include Film: An International History of the Medium and City Boys: Cagney, Bogart, Garfield. He died in 2011.

Press Reviews:
"THE history of the American movie, combining social history, economics, and a precise and effective sense of film criticism."--Frank Friedel, Harvard University

"One of the best popular works we have in the field of media ecology....There is hardly a single question regarding the transforming power of movies that [Sklar] leaves untouched."--Neil Postman

See the publisher website: Random House

> From the same author:

Global Neorealism:The Transnational History of a Film Style

Global Neorealism (2013)

The Transnational History of a Film Style

Dir. Saverio Giovacchini and Robert Sklar

Subject: History of Cinema

Frank Capra:Authorship and the Studio System

Frank Capra (1998)

Authorship and the Studio System

Dir. Robert Sklar and Vito Zagarrio

Subject: Director > Frank Capra

> On a related topic:

Hollywood and the Culture Elite:How the Movies Became American

Hollywood and the Culture Elite (2005)

How the Movies Became American

by Peter Decherney

Subject: History of Cinema

Hollywood and the Movies of the Fifties:The Collapse of the Studio System, the Thrill of Cinerama, and the Invasion of the Ultimate Body Snatcher--Television

Hollywood and the Movies of the Fifties (2023)

The Collapse of the Studio System, the Thrill of Cinerama, and the Invasion of the Ultimate Body Snatcher--Television

by Foster Hirsch

Subject: Countries > United States

Main Street Movies:The History of Local Film in the United States

Main Street Movies (2018)

The History of Local Film in the United States

by Martin L. Johnson

Subject: Countries > United States

The World in a Frame:What We See in Films, 25th Anniversary Edition

The World in a Frame (2002)

What We See in Films, 25th Anniversary Edition

by Leo Braudy

Subject: Countries > United States

Imagining the American Death Penalty:The Cultural Work of Popular Visual Representations

Imagining the American Death Penalty (2025)

The Cultural Work of Popular Visual Representations

by Birte Christ

Subject: Countries > United States

Tinsel and Rust:How Hollywood Manufactured the Rust Belt

Tinsel and Rust (2025)

How Hollywood Manufactured the Rust Belt

by Michael D. Dwyer

Subject: Countries > United States

15750 books listed   •   (c)2024-2026 cinemabooks.info   •  
Books in French are on www.livres-cinema.info