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American Smart Cinema

by

Type
Studies
Subject
Genre
Keywords
independent cinema, humor
Publishing date
Publisher
Edinburgh University Press
Collection
Traditions in World Cinema
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover192 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN
978-0-7486-4074-4
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Book Presentation:
American Smart Cinema examines a contemporary type of US filmmaking that exists at the intersection of mainstream, art and independent cinema and often gives rise to absurd, darkly comic and nihilistic effects.

Connecting the 'smart' sensibility to issues of expressive irony, generational divide and therapeutic culture, this bold new book describes a recent critical tradition in commercial-independent American filmmaking by exploring the unstable tone and dysfunctional themes of such films as The Royal Tenenbaums, Adaptation, The Squid and the Whale, Palindromes, The Last Days of Disco, Flirt, Ghost World, Your Friends and Neighbors, Donnie Darko and The Savages.

Acknowledging the loaded forms of expression employed by these films, American Smart Cinema provides new directions for their study by discussing the self-conscious approach taken to film historical discourses of authorship, narrative and genre.

Examining the smart film's taste for 'blank' style and issues of middle-class identity, the book provides a comprehensive account of smart cinema as an aesthetic category while also considering the cultural and political factors that have guaranteed it critical and popular success.

About the Author:
Claire Perkins is Senior Lecturer in Film and Screen Studies at Monash University, Melbourne. She is the author of American Smart Cinema (Edinburgh University Press, 2012) and co-editor of U.S Independent Film After 1989: Possible Films (Edinburgh University Press, 2015), B Is for Bad Cinema: Aesthetics, Politics and Cultural Value (2014) and Film Trilogies: New Critical Approaches (2012).

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