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Screening American Independent Film

Edited by and

Type
Essays
Subject
Genre
Keywords
independent cinema, american cinema
Publishing date
Publisher
Routledge
Collection
Screening Cinema
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback524 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN
978-1-032-16062-7
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Book Presentation:
This indispensable collection offers 51 chapters, each focused on a distinct American independent film.


Screening American Independent Film
presents these films chronologically, addressing works from across more than a century (1915−2020), emphasizing the breadth and long duration of American independent cinema. The collection includes canonical examples as well as films that push against and expand the definitions of "independence." The titles run from micro-budget films through marketing-friendly Indiewood projects, from auteur-driven films and festival darlings to B-movies, genre pics, and exploitation films. The chapters also introduce students to different approaches within film studies including historical and contextual framing, industrial and institutional analysis, politics and ideology, genre and authorship, representation, film analysis, exhibition and reception, and technology.

Written by leading international scholars and emerging talents in film studies, this volume is the first of its kind. Paying particular attention to issues of diversity and inclusion for both the participating scholars and the content and themes within the selected films, Screening American Independent Film is an essential resource for anyone teaching or studying American cinema.

About the authors:
Justin Wyatt is an Associate Professor of Communication Studies, Film/Media, and Journalism at the University of Rhode Island. He is the author of The Virgin Suicides: Reverie, Sorrow and Young Love (Routledge) and the co-editor of Contemporary American Independent Film: From the Margins to the Mainstream (Routledge). He is completing a manuscript on qualitative and quantitative market research methods in the media industries. He has published in the fields of media history, film marketing, and media industry studies.
Wyatt D. Phillips is an Associate Professor of Film and Media Studies in the English Department at Texas Tech University. His work primarily engages questions of the political economy of media production and circulation. His current book project considers the historical relationship between turn-of-the-century business culture and the significance of genre in early Hollywood. His publications include work on the economic structure and history of the American film industry, the rise of drive-in theaters, and Camp TV of the 1960s.

See the

> From the same authors:

The Virgin Suicides:Reverie, Sorrow and Young Love

(2020)

Reverie, Sorrow and Young Love

by

Subject: One Film >

Contemporary American Independent Film:From the Margins to the Mainstream

(2004)

From the Margins to the Mainstream

Dir. and

Subject: Genre >

High Concept:Movies and Marketing in Hollywood

(1995)

Movies and Marketing in Hollywood

by

Subject:

> On a related topic:

The Talent Management of Indie Authorship:From American independent cinema and short “films” to pay-TV and streaming

(2024)

From American independent cinema and short “films” to pay-TV and streaming

by

Subject: Genre >

The Cinema of Discomfort:Disquieting, Awkward and Uncomfortable Experiences in Contemporary Art and Indie Film

(2023)

Disquieting, Awkward and Uncomfortable Experiences in Contemporary Art and Indie Film

by

Subject: Genre >

Dark Matter:Independent Filmmaking in the 21st Century

(2021)

Independent Filmmaking in the 21st Century

by

Subject: Genre >

How Not to Make a Movie:An Independent Filmmaker in Hollywood Hell

(2020)

An Independent Filmmaker in Hollywood Hell

by

Subject: Genre >

Hope for Film:A Producer's Journey Across the Revolutions of Indie Film and Global Streaming

(2020)

A Producer's Journey Across the Revolutions of Indie Film and Global Streaming

by and

Subject: Genre >

Movie Baking:The Indie Work-At-Home-Parent Filmmaker

(2020)

The Indie Work-At-Home-Parent Filmmaker

by

Subject: Genre >

Rewriting Indie Cinema:Improvisation, Psychodrama, and the Screenplay

(2019)

Improvisation, Psychodrama, and the Screenplay

by

Subject: Genre >

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