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Independent Filmmaking Across Borders in Contemporary Asia

de Ran Ma

Type
Studies
Sujet
CountriesAsia
Mots Clés
Asia, independent cinema, Southeast Asia
Année d'édition
2019
Editeur
Amsterdam University Press
Collection
Asian Visual Cultures
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Hardcover • 278 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN
978-94-6298-664-0
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Description de l'ouvrage:
Independent Filmmaking across Borders in Contemporary Asia examines an array of auteur-driven fiction and documentary independent film projects that have emerged since the turn of the millennium from East and Southeast Asia, a strand of transnational filmmaking that converges with Asia’s vibrant yet unevenly developed independent film movements amidst global neoliberalism. These projects bear witness to and are shaped by the ongoing historical processes of inter-Asia interaction characterized by geopolitical realignment, migration, and population displacement. This study threads together case studies of internationally acclaimed filmmakers, artists, and collectives such as Zhang Lu, Kuzoku, Li Ying, Takamine Go, Yamashiro Chikako, and Midi Z, all of whose transborder journeys and cinematic imaginations disrupt static identity affiliations built upon national, ethnic, or cultural differences. This border-crossing filmmaking can be viewed as both an aesthetic practice and a political act, reframing how people, places, and their interconnections can be perceived — thereby opening up possibilities to reimagine Asia and its connections to globalization.

À propos de l'auteur :
Ran Ma is an associate professor at the 'Japan-in-Asia' Cultural Studies Program, Graduate School of Humanities, Nagoya University, Japan. She has contributed chapters to Chinese Film Festivals: Sites of Translation (2017) and the upcoming anthology The Japanese Cinema Book.

Voir le site internet de l'éditeur Amsterdam University Press

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