Books in French are on www.livres-cinema.info
The Greatest Films Never Seen
The Film Archive and the Copyright Smokescreen
(0 vote)Average rating:
| 0 | rating |  = We can do without |
| 0 | rating |  = Good book |
| 0 | rating |  = Excellent book |
| 0 | rating |  = Unique / a reference |
Your rating: -
Book Presentation:
Orphan works, or artworks for which no copyright holder is traceable, pose a growing problem for museums, archives, and other heritage institutions. As they come under more and more pressure to digitize and share their archives, they are often hampered by the uncertain rights status of items in their collections. This book uses the prism of copyright to reconsider human agency and the politics of the archive, and asks what the practical implications are for educational institutions, the creative industries, and the general public.
About the Author:
Claudy Op den Kamp is lecturer in Film and faculty member at the Centre for Intellectual Property Policy and Management at Bournemouth University, UK, and adjunct research fellow at Swinburne Law School, Australia.
See the publisher website: Amsterdam University Press
> On a related topic:
Scratches and Glitches (2021)
Observations on Preserving and Exhibiting Cinema in the Early 21st Century
by Jurij Meden
Subject: Economics
Film Curatorship (2020)
Archives, Museums, and the Digital Marketplace
by Paolo Cherchi Usai, David Francis, Alexander Horwath and Michael Loebenstein
Subject: Economics
The Film Museum Practice and Film Historiography (2017)
The Case of the Nederlands Filmmuseum
Subject: Economics
Cinephemera (2014)
Archives, Ephemeral Cinema, and New Screen Histories in Canada
by Zoe Druick and Gerda Cammaer
Subject: Economics
The Past Is a Moving Picture (2014)
Preserving the Twentieth Century on Film
by Janna Jones
Subject: Economics
Counter-Archive (2010)
Film, the Everyday, and Albert Kahn's Archives de la Planète
by Paula Amad
Subject: Genre > Documentary
Back
